SE Hollowbody thread

I just pulled the trigger on one of these Standards from Dave's. The fatter than Core, fully hollow body (okay, it has a sound post, but still...), all hog construction, seems to make these a pretty unique guitar. I definitely don't have anything like it even among my excessive number of guitars. And Dave's having a used one in "excellent" condition for $695 seemed to make this a no-brainer. I'm good at no-brainers...

It ships today, so I'm pretty excited to get this.
Enjoy it a long time. It is spectacularly gorgeous. Which finish is that? Fire Red?
 
I just pulled the trigger on one of these Standards from Dave's. The fatter than Core, fully hollow body (okay, it has a sound post, but still...), all hog construction, seems to make these a pretty unique guitar. I definitely don't have anything like it even among my excessive number of guitars. And Dave's having a used one in "excellent" condition for $695 seemed to make this a no-brainer. I'm good at no-brainers...

It ships today, so I'm pretty excited to get this.

HBStandard-Stock.jpg
Nice! I saw these Saturday and almost snagged one.
 
Very nice!!! No Brainers are good for you. I guess the closest thing to it would be the Singlecut Standard Hollowbody.. all mahogany as well, just singlecut.

Enjoy!
 
Last night I received my Hollowbody II Piezo in Peacock Blue Smokeburst. I learned about this guitar maybe 2 weeks ago, and it was difficult to wait that long to do the necessary research (I live on an island in complete lock down, so I couldn't just go to a guitar store and try one.)

Information about these guitars is getting out, so I'll just comment on what I found:
0) This guitar is very musical and responsive. t doesn't have the 'woodiness' of the Standard, but there's still this touch of 'hollowness' that's just so effing sweet it gives me chills. I should mention my tone is very clean. The guitar is also really enjoyable to play unplugged. It is absolutely adequate for practicing certain things or just playing late night when it needs to be quiet.
1) This is a real (full) hollowbody. The top, back, and sides are all separate pieces joined by kerfed linings as with acoustic guitars. The 'block' in the middle is literally the size of the bridge, no larger, and is a separate piece of material from any other part of the guitar. There is also longitudinal bracing, along the top only, from the block to the neck. There is a lot of web misinformation regarding hollow vs semi-hollow which I'll elaborate on below.
2) If you look inside the F-holes, the inside of the back is also flamed maple. I wasn't expecting that. I was wondering why the insides weren't painted or dyed, but now I'm glad. I know the top and back are laminated, but I don't know if they laminated 'regular' maple and put a veneer on both sides, or if they actually laminated layers of flamed maple.
3) I have ridiculous attention to detail, to the point it feels like a disease sometimes. Anyway, even with Paul's signature on the headstock I wasn't expecting this level of attention to detail on an SE made in China. The natural flamed maple binding is beautiful and the lines are very, very clean. Also the finish on this guitar is appropriately thin, which is uncommon for imported guitars. It's not buffed as well as a USA made guitar but it's very acceptable. The neck joint is exceptionally clean with no build up of acrylic urethane.
4) The action is perfect, as in if you hold down the 1st and 22nd fret and measure the gap at the 12th fret, it's within PRS spec. There is no fret buzz. The pickup height seems appropriate and there is good balance between neck and bridge pickup volume.
5) I'm realizing there are too many variables to trust online sound demos. These pickups sound good with my rig. I thought I'd want to change them right away, but I'm really enjoying the sound. I play through an Effectrode Blackbird pre (all tube at appropriate plate voltage) and into Two Notes CAB M. The bridge pup has bight without being too sharp, and the neck pup is mellow and woody without being dry or boring. They compliment each other really well. Honestly I've played with it for one night and am already more comfortable and proficient making tonal adjustments than ever before.

6) It seems like there's less real estate between the E strings and the edge of the fret board than I'm used to, but I've always done bends toward the middle so it shouldn't matter.
7) The neck feels every bit of 'fat' but without being a baseball bat.
8) The 'fat' neck, made of dense mahogany and with a dense ebony fretboard is heavy, at least in comparison to the very light body. There is some neck dive. With a cheap nylon strap and a dryfit shirt the guitar was uncomfortable to play, but a few small adjustments will help (grippier strap, lighter tuning buttons, possibly a heavy strap lock or small weight on the strap.)
9) The tuners are made by Jin-Ho (according to John Mann) and it's difficult to find plastic buttons. However they feel and track very nice, and based on some measurements are probably as light as any other electric tuner with the exception of Gotoh Stealth and possibly Phase 3. (For the record I weighed a bunch of tuners yesterday, and all the latest mini tuners are pretty close to 21 grams without the button. I have Hipshot open back which look light, but their weight savings is actually in the T shaped button, the body ends up being the same as all the others.)
10) The volume knob seems to roll off pretty quick. But the guitar doesn't lose much tone with volume changes. The pots feel light (easy to turn) but they're not the quietest pots (they're quiet with regards to the signal, but make mechanical noise you can hear when turning and not playing.) The switch feels adequate, not particularly good or bad.

I haven't actually used the Piezo yet. I haven't had or played a guitar in awhile and I wore my left hand out before I could get there!


119180920_10224955752144225_3118826930469940996_n.jpg

119457479_10224955752384231_297657856635778652_n.jpg


Hollowbody guitars: There are 2 types of full hollowbody guitars: One is like the jazzy archtops, built like an acoustic or a violin, where the top, back, and sides are all separate pieces. They're joined around the edges by kerfed linings, and there is bracing along the top and bottom to support string tension. Archtop guitars usually have tail pieces attached at the butt of the guitar, since there's no solid material in the middle to anchor the bridge. PRS employs that build method on this guitar, except that instead of bracing the bottom, there's a small block that attaches the top to the bottom. This block is the size of the bridge, no bigger, so the top and bottom can resonate independently for 90-something percent of their surfaces, and there's a place to install a stoptail bridge. This method is expensive and time consuming due to the joinery, but there is greater control of the thickness of the back and sides of the guitar since they can be thickness sanded prior to assembly.

The second kind of full hollowbody is made from a solid body that is completely routed out except along the edges, and a center block if (likely) used. So here the sides and back are of the same piece of material, as would be the 'block' under the bridge. The key here is that the guitar is hollowed out on all sides of the block - toward the pickups and strap button, as well as the sides. With CNC this is the less expensive method. If done by hand, it takes a ton of time and attention to get the top and bottom uniformly and adequately thin. Less expensive guitars made this way have very thick tops and/or bottoms, sacrificing quality and tone for durability and minimal manufacturing mishaps.

Semi-hollow guitars: People commonly say "oh it has a block, so it's semi-hollow". But the block they're usually referring to is not a block, but the whole center of the guitar that hasn't been machined away. Semi-hollow technically also means semi-solid. Basically, this is a solid bottom that has routing done on the sides to create chambers, typically under F-holes, but leaves the center of the guitar solid to support the string loads. This style is not hollow between the bridge and bottom strap pin, nor is it hollow between the bridge and bridge pickup. The top is attached to the bottom in the center for the entire length of the guitar, from the neck to the strap button. These guitars are lighter than solid bodies and will resonate more, but they resonate as a whole, whereas a fully hollow guitar can have more independent resonance in the top and bottom. Obviously less machining means cheaper and faster to make. More solid means more structure, so a more durable guitar. But often the tops on these are very thick, the center section is large, and the result is not much resonance. I've had beautiful semi-hollow guitars that felt, played, and sounded like solidbodies.

I'm making a big deal about this because (well, I care) the PRS SE Hollowbody does have a real 'block' but shouldn't be confused with a semi, which people often describe as having a 'block' which is actually the solid half of a 'semi' hollow guitar body.
 
I truly think the SE Hollowbody models will end up becoming classics. The construction, execution, tone and feel at its price point is remarkable. Add to it their flexibility... I end up concluding that this is a guitar everyone should add to their collection.
 
Do we think (or know) that these SE guitars from China are shipped with PRS Classic strings? I just did my first string change and miss the old tone!
 
I changed my pre-order for a SE HB Standard, changing it to an S2 594, back in Jan. I recently came across an excellent condition used SE HB II at Dave's and snagged it. Fantastic guitar, the 58/15 S are great pups, and in this guitar sound quite different than the 594 with the same pups.

50337449262_058804a812_h.jpg

50337291461_12bdc3ff11_h.jpg
 
I’ve no idea, but I restrung mine with 9.5 classics, and even my Telly playing luthier was impressed.

Interesting, I wouldn't have thought to try 9.5. I should. I restrung mine with 10-46 DR Tite Fit but it seems a bit brighter. I ordered some Pure Blues and PRS Classics in 10-46 to try. Maybe I'll try 9.5s after. I also have locking tuners and bridge posts on the way =D
 
I changed my pre-order for a SE HB Standard, changing it to an S2 594, back in Jan. I recently came across an excellent condition used SE HB II at Dave's and snagged it. Fantastic guitar, the 58/15 S are great pups, and in this guitar sound quite different than the 594 with the same pups.

50337449262_058804a812_h.jpg

50337291461_12bdc3ff11_h.jpg

I noticed the 594 is CNC machined from a solid block of wood, as opposed to the Hollowbody II (SE and Core) that are built-up acoustic style. They do feel and sound different.
 
I noticed the 594 is CNC machined from a solid block of wood, as opposed to the Hollowbody II (SE and Core) that are built-up acoustic style. They do feel and sound different.

The Core Hollowbody guitars are machined from a solid block of wood. It starts out like a Solid body and they CNC the inside out leaving just the Mahogany sides. The SE's are built up acoustic style from Laminates. pressed to shape and has slightly larger body too. Its more 335 in build to the Core Hollowbody guitars - not that there is anything wrong with that - but its different from the Core Hollowbody guitars.

The Core will sound and feel slightly different because its hollow and of course, because it has a solid carved Maple top and back that is also carved on the undersides too. So its a bit 'thicker' with a carved back which will feel a bit different and the sound difference is obvious. The reason its called a Hollowbody II is NOT because its the 2nd edition, but because it has two Maple tops in its construction. They make a PRS Hollowbody II by taking a Slab of Mahogany and 2 Maple Tops where as a Solid body uses a Slab of Mahogany and 1 Maple top.
 
Ah, thanks for clarifying. I noticed the difference between the SE and the 598. I assumed the Core HBII was not CNC. Machined since the spec says mahogany sides but maple top and back. So do they join a mahogany block with a maple back first, then do the routing?

The Core Hollowbody guitars are machined from a solid block of wood. It starts out like a Solid body and they CNC the inside out leaving just the Mahogany sides. The SE's are built up acoustic style from Laminates. pressed to shape and has slightly larger body too. Its more 335 in build to the Core Hollowbody guitars - not that there is anything wrong with that - but its different from the Core Hollowbody guitars.

The Core will sound and feel slightly different because its hollow and of course, because it has a solid carved Maple top and back that is also carved on the undersides too. So its a bit 'thicker' with a carved back which will feel a bit different and the sound difference is obvious. The reason its called a Hollowbody II is NOT because its the 2nd edition, but because it has two Maple tops in its construction. They make a PRS Hollowbody II by taking a Slab of Mahogany and 2 Maple Tops where as a Solid body uses a Slab of Mahogany and 1 Maple top.
 
Ah, thanks for clarifying. I noticed the difference between the SE and the 598. I assumed the Core HBII was not CNC. Machined since the spec says mahogany sides but maple top and back. So do they join a mahogany block with a maple back first, then do the routing?

I don't know exactly, having never seen one made myself. In my mind, it makes sense to glue one of the tops on, then CNC out the inside leaving the small block from the Slab of Mahogany they have hollowed out. The 'underside' of he maple can also be carved at the same time too. It also means the CNC doesn't chip out the bottom of the mahogany as it cuts through into the maple. The 'block' is just left and already glued to the bottom from when it was a solid piece.

Then they can glue another top on and CNC that to create the full body with block in side. So you end with a Hollowbody from Solid wood with a block to mount the bridge into....

I don't know if the SE's have 'solid' Mahogany sides in the same way - I thought they used thin strips and pressed them to shape (like Acoustics) and you can see the curfing on the inside - like an Acoustic. Solid Mahogany strips is OK for making sides - it doesn't have to be Laminated Mahogany...

As you can see from this image, you can see the Curfing through the F hole
se_hb_2_piezo_hero_large.jpg


That isn't necessary when your sides are 'thicker' by carving out the middle of a solid slab
48428166966_22a978b6a9_o.jpg

You can see the flame on the back...

Another image I have found of a core
86744120-jpg.1147
 
Last edited:
Back
Top