You seem to have a real issue understanding that people have opinions that differ from yours, and that there’s not one thing “wrong” with them if they do.
I do not have a problem with people holding onto old technology. I have a problem with people holding old technology up as the gold standard and closing their minds to anything else. The reality is that it was difficult to give away a blackface or silverface Fender in the eighties. Even Randall Smith has mentioned it many times. The same thing can be said for older 4-hole Marshalls. The rebirth of the blackface amp can be attributed to one guitarist; namely, SRV. The "Hat and Strat" movement that was a shot in the arm for older amp technology was the result of backlash to grunge's removal of the guitar hero from popular music. Outside of new wave/progressive, the eighties was the decade where guitar made its biggest strides. Guitarists picked up on pioneering work by Uli Jon Roth and Ritchie Blackmore. These two guitarists were the first rockers brave enough to avoid the pentatonic minor trap. The problem was by the end of the eighties songs had become little more than delivery vehicles for bombastic, technically advanced solos. When combined with the image and other excesses from the eighties, it was no, just no, I am not going back for a lot of guitarists. Eighties harder-edged guitar is not possible with tube technology alone. The 5150 comes close, but it is an incredibly unstable design that is just itching to break into uncontrolled oscillation. It is just impossible to get enough gain to play that fluidly without resorting to what is seen as the anti-Christ to many members of this forum; namely, solid-state circuitry.
The reality is that tone is subjective. I do not consider solid-state tone to be inferior to that of tube tone. It is just different. The tone used by the early electric blues masters was nothing like that of the "white boy" blues musicians who came later. The early electric blues masters had no problem switching to solid-state amps because they did not exploit tube technology's foibles (listen to the old Chess recordings and one will see what I mean). It is the foibles of tube technology that digital modeling is seeking to recreate and guitar has become stagnant because of it. We have even gone back to being stuck in pentatonic minor jail for the most part. Modern country (a.k.a. country pop) is little more than repackaged heartland rock. It appeals to the fly-over states, but it is nowhere near as popular in the Mid-Atlantic, the Northeast, or on the West Coast. It kind of follows the political divide between the fly-over states and the coastal states that are not part of the Deep South. In my humble opinion, the move from LA to Nashville is major part of the problem.
If we are going to have a new generation of guitarists who keep guitar alive, we are going to need a new generation of guitar technology combined with a fresh take on the instrument. I personally embrace the end of life for tube technology. Sure, I am bit sad, but I see it as an opportunity for gifted young musicians to push guitar in a new direction without being confined by a generation or two of guitarists whose idea of good tone is based on circuits that were created in the fifties.
I will end this reply with analogy. When I started to work with computer systems in late 1979 as an extremely bright, but wet behind the ears fresh out of high school kid, the first computer with whom I worked had circuitry composed of transisters, resistors, diodes, and ferrite core memory in which a one or a zero was stored by the direction in which a core was magnetized. That computer was a UNIVAC 1218, which was a MILSPEC version of the UNIVAC 418.
Here is what it looked like:
One booted this machine by entering the starting address of the boot routine in read-only memory in the machine's program counter, setting a code in the status register, and then toggling the "run" switch. The machine would then load the executive (early operating system) off of a tape drive. When compared to a modern computer, the word "primitive" does not begin to describe this machine. However, the 1218 was state-of-the-art when it was designed in the sixties. I left that shipboard data center and transferred to the National Security Agency attached to the Naval Security Group Activity, Fort Meade where I initially worked with Cray-1 super computers that were front-ended by CDC 7600s (which were scientific mainframes). Today, the cell phone I use has more power than any of these computers by a large margin. To me, it seems silly that we prefer technology that was created before the first computer I used was designed when we could be using the gear equivalent of a cell phone.