dmatthews
Dave's not here
Killer combo!This guitar:
Through the SLO 100 —>PRS 4x12.
Sorry, had to pull old pics. No fresh ones available.
Killer combo!This guitar:
Through the SLO 100 —>PRS 4x12.
Sorry, had to pull old pics. No fresh ones available.
That's the ticket!Last night I went to play with a few people. My original thought was to bring my Casino or Les Paul. Honestly part of that was because I felt weird (not knowing them) to pull out this not inexpensive Paul's guitar . . . but I brought the PRS. (not that the Les Paul or even the Casino is cheap). And I'm really happy I did. It is such a beautifully sounding and versatile instrument!
Hey, I played my PS exclusively for 5 years with the band. Didn’t even plug another in at rehearsal or a gig. Wasn’t until last year I brought the Polar Bear out of retirement/back up duty and been playing that again. The old McStandard still delivers. Sometimes I prefer it. Wrapping up some recording and I pretty much used those 2.I’m boring. While I’ve certainly bought a pile of guitars since then, I’ve been pretty much playing the same guitar since early(ish) 2017.
Highlight of the week.
A bit of the backstory, since the guitar is older than the forum.
Mrs and I went to the 2009 Experience to...uhm...do some research. We did not leave with empty hands. There was one guitar, however, that she missed after we left. Wood Library wasn't a thing yet, but Special Favours were. She talked to the dealer and cooked up this:
She wanted a nicer top than the one we didn't take home, so we wouldn't be missing out
She wanted a pretty neck and knew I lusted after a backup rosewood
and she wanted no doubt that it was special
Number 1 was (and is) outstanding. Not long after Brent did a run of 17.
The guitar is barely finished. Paul says the satin top is better for the sound. Maybe, maybe not. I know many of them got a gloss added over time. I like the intimacy of the feel. This guitar insists on being played through the Mark III.
OMG...Highlight of the week.
A bit of the backstory, since the guitar is older than the forum.
Mrs and I went to the 2009 Experience to...uhm...do some research. We did not leave with empty hands. There was one guitar, however, that she missed after we left. Wood Library wasn't a thing yet, but Special Favours were. She talked to the dealer and cooked up this:
She wanted a nicer top than the one we didn't take home, so we wouldn't be missing out
She wanted a pretty neck and knew I lusted after a backup rosewood
and she wanted no doubt that it was special
Number 1 was (and is) outstanding. Not long after Brent did a run of 17.
The guitar is barely finished. Paul says the satin top is better for the sound. Maybe, maybe not. I know many of them got a gloss added over time. I like the intimacy of the feel. This guitar insists on being played through the Mark III.
That's a beauty!!!Had to switch axes. Practiced with the fretless Guild until Thursday rehearsal. Practice went so bad, I decided to switch to this,
My Black Tiger, so that at least the notes from the bass will be tight. Here’s hoping for a better next rehearsal.
Very nice bass! Alembic?Had to switch axes. Practiced with the fretless Guild until Thursday rehearsal. Practice went so bad, I decided to switch to this,
My Black Tiger, so that at least the notes from the bass will be tight. Here’s hoping for a better next rehearsal.
What would it take?
’she’ — my kind of lady!Highlight of the week.
A bit of the backstory, since the guitar is older than the forum.
Mrs and I went to the 2009 Experience to...uhm...do some research. We did not leave with empty hands. There was one guitar, however, that she missed after we left. Wood Library wasn't a thing yet, but Special Favours were. She talked to the dealer and cooked up this:
She wanted a nicer top than the one we didn't take home, so we wouldn't be missing out
She wanted a pretty neck and knew I lusted after a backup rosewood
and she wanted no doubt that it was special
Number 1 was (and is) outstanding. Not long after Brent did a run of 17.
The guitar is barely finished. Paul says the satin top is better for the sound. Maybe, maybe not. I know many of them got a gloss added over time. I like the intimacy of the feel. This guitar insists on being played through the Mark III.
whoa a knob for each string and a string per th’ knob.Had to switch axes. Practiced with the fretless Guild until Thursday rehearsal. Practice went so bad, I decided to switch to this,
My Black Tiger, so that at least the notes from the bass will be tight. Here’s hoping for a better next rehearsal.
I really love that Dark Cherry Burst. I had a Stripped 58 that looked very similar to your SC.
I sold my stripped 58. I’m not going to call myself stupid. It’s more like, sorta, kinda, you know, in other words, uh, well alright Stupid me too two.I really love that Dark Cherry Burst. I had a Stripped 58 that looked very similar to your SC.
The sad thing is that I sold it. Stupid me.
Here's what happened.I sold my stripped 58. I’m not going to call myself stupid. It’s more like, sorta, kinda, you know, in other words, uh, well alright Stupid me too two.
Hi @LSchefman …..Yea, those Ebony fretboards really change the tone and also the size of the note. And I’m not a big fan of guitars with lots of high end, which Ebony does so well! .. Learned my lesson the hard way doing this years ago… Rosewood only for me these days, but I’m sure that there are other fingerboard woods that sound great as well.Here's what happened.
I liked the Stripped 58 so much that I decided to order an SC58 Artist with an ebony fretboard and 53/10 pickups. I sold the Stripped 58 to fund it.
As an intelligent person might have predicted, with the ebony fretboard the guitar wasn't going to do the same things the Stripped 58 did. Great guitar, but replaced it with the McCarty Singlecut - more in line with what the Stripped 58 did.
What I lost selling the Stripped 58 and SC58 Artist could probably have funded another guitar. That's a big reason why I'm not the brightest bulb.