CE question

But, the sustain, tone, playability & overall feel is something I've not experienced before & I think this has a lot to do with where, when, & how it was built.

Actually, it has more to do with the fact that that guitar has a single-piece, red brass, Gen I trem (a.k.a. the same bridge that is being sold as the MannMade NOS Trem today). That trem emphasizes midrange much more than the two-piece Gen II and Gen III trems. On the right guitar, it makes a huge difference.
 
First post, huge PRS fan...I just wanted to chime in as I recently picked up a 1991 PRS CE24 and I wanted to share my thoughts. So for reference, at 1 time or another I've had a late 90s & an early 00s CE22, a PRS DGT (06 I think), a 20th Anniversary Standard 24 (all mahogany), an S2 Vela, an SE semi-hollow, & I'm probably forgetting 1 or 2 (not to mention an embarrassingly large number of other makes/models). What's my point? This old beat up 91 CE24 is hands down THE best guitar I've ever had. I've had 335s, LP Standards & SGs, some nice Fenders, etc & nothing compares. Nothing. I don't like to believe that vintage or "pre-factory", in this case, equals better & I know PRS has never really had any QC problems. But, the sustain, tone, playability & overall feel is something I've not experienced before & I think this has a lot to do with where, when, & how it was built. I knew within just a few seconds this guitar was special and I didn't hesitate for a second to trade my 2019 American Professional Tele for it straight up. Objectively, it's been played a LOT but as far as I can tell it's never had a fret dress & the wear is almost imperceptible. The rosewood still has a rich, deep hue. The pots are a little scratchy but otherwise every component still works perfectly & stays in tune incredibly well. Subjectively, it doesn't play like a brand new guitar. It plays better. PRS's earlier days were all about bridging the gap between Gibson & Fender & this CE24 is the best example of that I've ever seen. It has more girth & sustain than an average Les Pau & I think it has a totally different level of clarity, note separation & bite than your average Fender. Hard to believe from a bolt-on less than 8 lbs. Oh & this is all unplugged, mind you. I haven't even gotten to the pickups yet! The HFS/Vintage Bass set is often referred to as a rough equivalent to the JB/Jazz combo. Output-wise, they're about the same but these don't "sound" like Seymour Duncans to me. I've played the hell out of the JB/Jazz set combined with all kinds of different woods. The HFS/VB mids/upper mids are more pronounced. They just sing & I cannot get enough of them. Sweet, biting vintage PAF tone for eons. Bottom line, I think all PRSs are great. You get so much more for your money than any other guitar. But I happily stumbled upon an example from yesteryear that reminds me that vintage guitars are still worth the hunt. Sorry for rambling! Hope you're enjoying your CE24, they're amazing instruments.

You can't go wrong with early 90's PRS's at all.
 
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