I don’t get tired of them.
It’s true that I have a couple of Mesas, and to be perfectly frank, the Lone Star I bought to because my son was touring with one. I wanted him to have something for recording when he’s in town. He uses it, and it does (for me) have a nice Blackface-oriented clean tone.
The Fillmore...well, yes, it’s a great amp, but I bought it because it was there. I just kinda felt like getting one. I do like it.
But when I switch to the PRS amps, OMG happens. It’s like the giant Mac Daddy of the World comes into the room and says, “Well, what do you need besides these amps?”
The answer, of course, is ‘nothing’. Should I have bought a JMOD instead? Well, the JMOD wasn’t out when I got the Lone Star. And the Fillmore was inexpensive enough that I thought, WTF, and hell, it’s nice on the stuff that I want to use a ‘Mesa Tone” for,
Anyway, just sharing my thinking out loud here.
It’s true that I have a couple of Mesas, and to be perfectly frank, the Lone Star I bought to because my son was touring with one. I wanted him to have something for recording when he’s in town. He uses it, and it does (for me) have a nice Blackface-oriented clean tone.
The Fillmore...well, yes, it’s a great amp, but I bought it because it was there. I just kinda felt like getting one. I do like it.
But when I switch to the PRS amps, OMG happens. It’s like the giant Mac Daddy of the World comes into the room and says, “Well, what do you need besides these amps?”
The answer, of course, is ‘nothing’. Should I have bought a JMOD instead? Well, the JMOD wasn’t out when I got the Lone Star. And the Fillmore was inexpensive enough that I thought, WTF, and hell, it’s nice on the stuff that I want to use a ‘Mesa Tone” for,
Anyway, just sharing my thinking out loud here.