Mattsiatti
New Member
Ouch, I guess if you regularly play very large venues it might be worth while
But how many of us do that??
But how many of us do that??
Ouch, I guess if you regularly play very large venues it might be worth while
But how many of us do that??
Other than big stages, there are at least a few of us on the forum whose work goes on TV, radio, and films.
The amp isn't meant for the average Joe, quite obviously. Neither is a $5500 Neumann U47 microphone, right? They're meant to be low-production items for professional use.
There isn't a damn thing wrong with that, nor should anyone be insulted by the price tag. If it's too much, walk on by.
i agree no ones forcing anyone to buy it if someone is in the position to pick one up good for them, I'm sure it will bring them and those that get to listen to it alot of joyOther than big stages, there are at least a few of us on the forum whose work goes on TV, radio, and films.
The amp isn't meant for the average Joe, quite obviously. Neither is a $5500 Neumann U47 microphone, right? They're meant to be low-production items for professional use.
There isn't a damn thing wrong with that, nor should anyone be insulted by the price tag. If it's too much, walk on by.
Here's your chance to see AND hear the new namesake amp:
http://www.rockcellarmagazine.com/2...or-everything-tour-spring-2017-details-dates/
I'm cool with waiting for Les to buy it.
Other than big stages, there are at least a few of us on the forum whose work goes on TV, radio, and films.
The amp isn't meant for the average Joe, quite obviously. Neither is a $5500 Neumann U47 microphone, right? They're meant to be low-production items for professional use.
There isn't a damn thing wrong with that, nor should anyone be insulted by the price tag. If it's too much, walk on by.
John Mayer J-MOD100. Looks pretty cool.
Th only reason i was shocked by the price is because PRS makes good amps, but i did not see them as a company who makes amps worthy of that price tag.
Th only reason i was shocked by the price is because PRS makes good amps, but i did not see them as a company who makes amps worthy of that price tag
Ever played an HXDA, DG30, Original Sewell, 25th Anniversary Amp, Paul's Amp, Dallas, Super Dallas, DG50, or Recording amp, or anything else in their CAD line?
I see this as a serious marketing issue. I only bought my Archon 100 because I was in the mood to throw down money on an amp I'd never be able to find in the wild. PRS and their distys do a terrible job of promoting the amps. I've never seen anything outside of an Archon 25 in any store, and that was AFTER I bought mine. I was only confident enough to take the plunge after a couple 3rd-party review vids got my GAS juices flowing.
I would agree that I also didn't see PRS as a serious amp company.
But they're not going to sell to nearly as many people without making the gear accessible.