Black Plaid
Other Alan!
If you are listening to your past or current work, and it's not up to where you want to be, that's a good thing, it means you are discerning enough to advance your craft. Your best work is ahead of you, that's exciting!
Agree that we are usually our own worst critics. Maybe get some other opinions?
Just before you posted this I was working on the preceding post! When I posted it I saw your post, and obviously, we're thinking alike here.If you are listening to your past or current work, and it's not up to where you want to be, that's a good thing, it means you are discerning enough to advance your craft. Your best work is ahead of you, that's exciting!
For a long time I felt like I better save every decent melody.It's not like I'm gonna run out of melodies
Super-positive thoughts, but I have learned after 33 years as a professional composer...I have many friends who have been in the music industry for many decades like you László, and most of them don't even want to hear their released material. They don't mind playing it, but they don't want to listen to it. It truly baffles me as I love listening to most of my released and even some half finished material. Although there are some "bad dogs" in my portfolio, I have resigned to leave them as is because I am human, and I can always do better, of which they are a reminder.
Now in you position, you certainly should only have the very best on the website that (potential) clients can see. That does not mean you have to scrap it from hard drives as you are well aware. And as we know, the cost of storage these days is never an impediment, so I say keep those fish bowls of compositions to draw ideas or clips from down the road. Yes, I know, you already stated that stuff has been axed, but this is the way I would look at it none the less.
I think what this comes down to is, are you doing the music for your own fun and entertainment (with other listeners a secondary consideration) or are you doing it as a business (with others being the primary consideration). The rules are different best I can discern and what one presents is best dictated by that qualification ;~))
Your work is always very visual for me, eliciting images with each measure and telling stories with musical sound waves! Thanks for sharing what you do and being an inspiration for what is possible ;~))
What's the best way to distinguish gems from wishful thinking?I realize there are people who think every idea they have is a gem just waiting to be polished. In most cases, that's wishful thinking.
That's gotta be the phrase of the century! Applicable to so many endeavors.Never polish a turd!
All good and understood! Turds do however make great fertilizer, which is kind of what I was inferring they should be used for ;~)) But I hear ya', there is more to be created so focusing on what you may see as turds is not the best use of time!! Now if we could all have that extra sense to know what is a turd and what others may see as pure gold (similar to what Prina has queried), we might be rich (well, some of you might, not me)!!!Super-positive thoughts, but I have learned after 33 years as a professional composer...
Never polish a turd!
It's always gonna be a turd, even if it's very shiny.
It's better to start with a clean sheet of paper and come up with a better idea. Therefore, no need to save or revisit them. Flush the damn toilet!
I have a very large archive of old ad pieces I'm obliged to keep as it is, and it's difficult enough to sort through those when asked to revisit a successful project.
I realize there are people who think every idea they have is a gem just waiting to be polished. In most cases, that's wishful thinking. Most ideas people have, including very creative people, are not great ideas. Find the great ideas, and produce them. Don't save the crap. The stink only gets worse with time.
Never polish a turd!
What's the best way to distinguish gems from wishful thinking?
Sounds like great advice.There's no way to predict how others will react to one's work, and everyone has their own tastes. Since the only thing I can control is my own reaction to a work, I revisit my pieces, and ruthlessly ask myself:
Can I do better than this?
I think you are doing OK.So every piece has to be good enough to impress. After 33 years in the biz, that's always been the key to the success I've had with the non-orchestral work.
The person who shat it would be, of course, dead. So to its creator, it's just a turd, and worthless.Even a fossilised sh!te becomes worth something one day
The person who shat it would be, of course, dead. So to its creator, it's just a turd, and worthless.
Ah yes, the one that got away.Even a fossilised sh!te becomes worth something one day