Am trying to provide a good accounting of what's built in to my FM9 floorboard. First of all, there are at least 34 different types of effects. One of these types includes a DRIVE block, which consists of about 77 different DRIVE effects. Then consider REVERB. There are about 78 different REVERB effects. Consider DELAY. There are 28 different DELAY effects. I could go on.
What fascinates me is that there are the possibility of one pair of AMP varieties, and 328 different AMPs.
Lastly, the possibility of 2 stereo CABs, or 4 CABs total with 1024 different factory CABs and 128 legacy CABs. Not to mention the possibility of adding 1024 user CABs uploaded to your FM9.
Given that the actual price of each AMP and CAB varies widely and because the actual speaker CAB can vary from 1x8 to 8x10, I decided to let the statistics experts take over regards this, because the sheer number crunch would have boggled my mind. That and the the cost of owning a secure structure that could store all of these individually must be astronomical.
FTR, an FM9 new ballparks about $1700, plus either power amp and unpowered CAB, FRFR, or powered AMP and CAB connected via 4CM. IIRC, FM9 rig cost $2695 plus proprietary FX board, expression pedal, Peterson StroboStomp Mini tuner and numerous cables, a regulated power source. I'd hazard to say about $3350.
That's for the big shamu. My backup amp is a 1x12 30W combo reverb boutique amp; with a mini FX consisting of 1 overdrive and a tuner.
In real life, sometimes it's nice to own a boatload of virtual gear for a fraction of its actual cost. Reality also dictates when a gig will allow you to haul in your dream gear, perform a sound check, and sweat bullets until it's your turn to play. The alternate reality involves bringing in your 30W combo and mini FX board and sitting through newbs and codgers do justice to folk and modern tunes, then when it's your turn, simply switch on your amp, engage the crowd with some small talk while tuning and hope to heck the rhythm house guitarist can accompany you to Barney Kessel's adaptation of St. Thomas.