I think you need to have a Boss Katana.
Gotta embrace technology, sir. A lot of people already swear by it... including tube users.Because everyone needs a paperweight that looks like a guitar amp!
Gotta embrace technology, sir. A lot of people already swear by it... including tube users.
So, why not with amps?I already embrace technology; tube technology.
Seriously, I use digital recording technology every day in my work. Just not when it comes to amps.
Fixed it for ya....sometimes it's about the journey you take to get to the sound you want. In the end, you'll get pelted with rocks and garbage, regardless.
So, why not with amps?
As gear heads, sometimes we put too much importance on the tools instead of the finished product.
That's very well said!Ultimately, it's about what lets you get the job done and makes you happy. Some people swear by tubes, some by modelers, some go back and forth. I go back and forth - I usually prefer tubes, especially for distorted sounds, but sometimes it's just quicker and easier to get it done w/a model.
As gear heads, sometimes we put too much importance on the tools instead of the finished product. On the other hand, sometimes it's about the journey you take to get to the sound you want. In the end, most people can't tell the difference anyway. In the end, it's about what makes you happy.
It doesn't need a built-in boost. That's what a Klon is for. Go for the beef. 50w of grilled ribeye goodness.aw, dangit. the DG30 has a presence knob and a boost switch, but the DG50 doesn't? decisions, decisions...
aw, dangit. the DG30 has a presence knob and a boost switch, but the DG50 doesn't? decisions, decisions...
aw, dangit. the DG30 has a presence knob and a boost switch, but the DG50 doesn't? decisions, decisions...
The DG Custom 50 shares the controls of the 30 with the exception of the Presence, Top Cut, and Boost/Normal switches.
For me, the Top Cut is what makes the DG30 the 'go to' amp for recording. You can gently dial in 'just enough' "less" to tune the amp/cabinet 'Loud and Sweet' without it sounding too brittle/harsh/ice picky even with the bright switch enabled. My method: Clean, use pedals; Boost, use guitar volume. However Grissom runs his with Boost "on" playing live at The Saxon and goes with the 'Three Channel/One Amp' process using his pedals. Sounds glorious.