Messin' With My Pedalboard - Are We There Yet?

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Too Many Notes
Joined
Apr 26, 2012
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Location
Michigan
My new CU24 30th has inspired me to do more messing around with my pedalboard. After all, with two mighty electric guitars, it was essential to find the tones that work with both of them, and with my amps. I just did all this when I got the McCarty Singlecut affectionately known as The Hammer Of The Gods, but never mind. I had to do it again.

And I think I've got it as right as I'm going to get it.

I'll admit it - I'm a perfectionist. But when it comes to putting the right stuff on a pedalboard, in the right order, there are compromises. You want the clearest tone? Put the buffer first. But wait, it messes with the wah tone just a tiny bit. The true bypass swtich box preserves that last little ounce of tone if I can bypass my digital pedals and tuner when not in use, but dang, it takes up a lot of room on the pedal board, and adds more cables to the mix. Putting the buffer box underneath the pedalboard's deck makes switching things around kind of a pain, but it saves room for another pedal.

Then there is the question of configuring cables. Change the pedals around a bit, and they're never the right length. Then there's the whole tone thing, which is another can of worms.

Et cetera, et cetera.

Anyway, after a fair amount of experimentation, I decided that I needed to return the wah to my pedalboard. I held my nose and decided that can live with it coming after the buffer, because it's more important to have that sparkle in my tone when I'm not using the wah, even though it makes the wah slightly less awesome.

I decided not to use my true bypass switch box and saved room for a couple of pedals I might add down the road. I put a Suhr Koko Boost on the board because it is awesome with the Grissom 30 amp. The Koko Boost is a clean boost that gives me a little more push when I want it, and it adds a little sparkle when I play clean, too. I think it sounds better with my stuff than the Xotic EP.

For the gainier stuff, the Bogner Burnley is great with humbuckers, and the Eventide H9 is a very essential piece of gear for me. The Suhr Jackrabbit is a phenomenal sounding tremolo pedal, no ticking, lots of waveform choices, great sound. I am really digging the Suhr pedals I have. They made my buffer box, too.

I went and got a TC tuner even though I like my Peterson better, because the Peterson made the board too heavy. The TC is very small and light.

I ordered some very low capacitance Van den Hul cables from Lava at the lengths and terminations I needed to wire up the board's I/O. It's the red stuff, and while it's not as clean looking for the installation as other choices, I'm digging how everything sounds.

So here it is:

 
So here's the problem with my pedalboard, and boys, it is a serious one: there's room on the board for more pedals. Plenty of room.

And I am in possession of a crapload of Industrial Strength Velcro Brand Stickum Stuff. I bought a 15 foot roll, which for me is evidently a lifetime supply, as I'm not sure attaching everything I have to the board (including the power supply and the buffer underneath the deck) used up more than a foot.

To make matters even worse, I have quite a few extra cables. And a spare Official Voodoo Labs Iso5 power supply to plug into that second power outlet inside the board.

So: Plenty of pedalboard space. Plenty of Velcro Brand Stickum Stuff. Plenty of cables. A second power supply.

Combine these facts with The Urge To Finish The Damn Board, and we have Danger, Will Robinson! However, there is a significant second problem: I can't think of a single pedal I want or need.

The H9 is the Max version. Although it only does one effect at a time, it has 45 different effects, and in excess of 500 presets. There are EQs, compressors, pitch effects, choruses, delays, Leslies, phasers, flangers, reverbs, trems, and on and on.

I don't have a fuzz right now. I suppose I could get one, but no client has actually let me use a fuzz on a project since 1995. Even the wah is pushing things as far as clients are concerned ("Take off the wah, this isn't a porn track!" "Yes it is, it's car porn."). So the wah is pretty much there for my own amusement. Last wah project I had was around 2002, but I'm holding out hope.

There's always Univibe. I like a good Univibe. However, it's yet another effect that no client has permitted me to use, ever. I used one on an album I produced and played on for another guy a while back. But it's hard to justify, and the H9 has so many modulation effects that I hardly feel the need.

I was thinking that I'd get a second H9, and be able to use modulation or pitch or something with delay on the second one. But honestly, while that'd be cool if I played live, for recording all I have to do is call up a delay plugin or something in the DAW.

In fact, I actually own pedals and boxes I'm not using, and didn't feel the desire to put on the board.

Unless something really knocks me out, I might be done.:dontknow:
 
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Maybe this is the magic pedal you are missing...

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Maybe this is the magic pedal you are missing...

877005bdd806345e32a718e5e86bb01b.jpg

Nah, I've got two in every color.

You need that PTD Velocitone we were talking about in some other thread...

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There's a bread and butter effect I can use on ads! But I don't think so.

I might, I dunno, wait patiently and take my time with this. I mean, I've heard people do that sometimes. Of course, I have no experience with it.
 
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Bill...nice job...Is that the new Wheat Wah I've heard so much about?

Les...how 'bout the old standard in Chorus...TC Electronics SCF ...flange, pitch modulation are bonuses...
 
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Bill...nice job...Is that the new Wheat Wah I've heard so much about?

Les...how 'bout the old standard in Chorus...TC Electronics SCF ...flange, pitch modulation are bonuses...

Bill is a genius!

I've actually had an SCF, but the H9 has choruses.
 
So here's what I decided to do:

For the moment I'm not dealing with the pedalboard, and I'm adding a purpose-built small gobo from RealTraps to absorb loud guitar amp noise and further aid bass trapping. This pic is from their website: Because I don't play Fender. ;)

 
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