Hey Everyone, I'll leave this comment from Paul here if anyone has scale length questions/concerns.
"Hey everybody, Paul Smith here. So I understand this concern. This is a Mark Tremonti specified C# to C# instrument with larger gauge strings. The argument here is almost like saying if you played a short scale guitar (say 24.5") and it was tuned E to E and you made another guitar with the scale length 25.5" (like a strat) then you should tune the guitar down to C# because it's an inch longer - and that's not the case. There are two ways to accommodate a lower tuned string. 1. Increase the gauge of the string. and/or 2. Lengthen the scale length. Just because people are used to seeing an increased scale length on other maker's guitars doesn't mean that's the only way to do it. Mark has taken this guitar out on tour and it performed powerfully tuned C# to C# with the following gauges of strings: .014-.068. I really like this gauge of string, this tuning, and this guitar. It sounds awesome. It could be argued that a short scale guitar should never be tuned E to E but should be tuned G to G. I personally prefer baritones where you make the gauge of the string much larger and make the guitar with a shorter scale length then the internet thinks is appropriate. Now all that said, we have released tuned-down guitars with longer scale lengths (SE Mark Holcomb 25.5" drop C and an SE 277 27.7"). This is a very interesting situation/discussion involving our guitar making and artist preferences vs. other manufacturers standard vs history. Please be assured this guitar will perform brilliantly C# to C# - as long as you don't put .009's on it : ) ...(by the way, if you listen to "Machine Gun" Band of Gypsys, Hendrix is tuned D to D on a 25.5" scale guitar with fairly light gauge strings. Go figure.)"