Bareknuckle are so good
Their '63 veneer board strat pickup in the neck posish is the best Fender neck pickup tone I've ever heard.
Bareknuckle are so good
An R8 is one of those you really have to do some homework on to make sure that's what you're after, especially if you're concerned with resale value because they're so over-shadowed by the R9. It wouldn't be my own LP preference
I've had too many misses with LPs.
Interesting. I’m a huge PRS fan, but I’ve never had a miss with LP reissues (non-Custom Shop is different story).
That heart remark is fatuous. There is no one brand that gets it wrong or right all the time. I have great difficulty with esoteric comments that fly in the face of reason. You cannot put love and Gibson in the same line of syllogisms. I have and continue to know love from my extraordinary sons and a lovely woman. That is here and now, not a romantic rendering of the past. Musicians and artists have always used what’s available to make their art. And we are better off for it.you have no heart.
i’ve had bad to great gibson guitars, not recently of course.
Agreed. I don't believe in mojo or magic things too. Everything we hear from guitars are all scientific.I played nothing but Gibson through music school. I’d been out and about a few years before Paul sold his first guitar. The Gibson’s I owned were wildly inconsistent in tone and quality. There was no mojo in them to my ears. I can’t hear mojo. I can hear proper intonation, balanced sound, and different pickups. Not to mention tremolos that actually work. Why should a PRS sound “like” a Les? Take a similar formula, use better ingredients, and listen to what you get. It can supersede the original on a consistent basis. The word is consistent. By the way, the last Gibson was sold 10 years ago. It was a 1965 L7C with an original dearmond I bought in 1969. After two fret jobs, that wouldn’t stay in tune. McDonald’s has been making hamburgers longer than any other chain. Are they better? They must have mojo.
That heart remark is fatuous. There is no one brand that gets it wrong or right all the time.
I’m thinking 57/08.
About 3 mins in - that’s the tone I’m after.
I’m totally and utterly convinced that I can get the 594 there with EQ. I know I can.
It needs a fatter pickup for the bridge, more output than stock.
Sounds like a little push in the low mids is needed, but that high end needs to remain. You can’t blame someone for trying to clone that sound; it’s great.
Here’s perhaps a different take on things: A good parametric EQ with a sweepable midrange control would allow you to bring out tones and overtones you feel should be enhanced, as well as raise or lower the volume hitting the front of the amp, would work with all of your guitars and amps as needed from time to time, etc.
There are a handful of excellent ones on the market, and they’re probably in the same price ballpark as installing new pickups.
You could even try them in the store with your own guitar and amp, without having to swap pickups in and out of your guitar. If a particular one works, you’re in business, and if not, don’t buy it.
I’m not a player looking for a pure LP tone with my 594s, but I use an EQ pedal to do other things in my studio, and find it very handy. I use the Pettyjohn Filter, but again, I’m not looking to do LP tones, so I can’t say whether it’d be good for that use in particular.
The Eventide H9 has a preset called “Leo to Les” that can make a Strat sound close enough to a Lester that it’ll shock you (as well as a “Les to Leo” preset), so I’m pretty sure that a judicious choice of EQ can be effective.
EDIT: With a parametric EQ, what you do is turn up the lower mid or mid frequency band, sweep the EQ to find the frequency you want to hear, then lower the volume on that band until it’s at the level you want. Very.simple and effective once you find the frequency you want to bring up or down with the sweep.
I had a choice between a mint 2016 R8 and the DC594, I got the 594. I knew I'd regret not getting it if I took the LP and I've had too many misses with LPs.
The neck was mahoosive, it was playable, but I instantly realised why necks got smaller over the years. Add that giant neck with small frets and it wasn't what I'd call a great player, to be honest. The Eric Johnson Strat has XJ frets - the neck is huge, so you need to balance that. Mine is fast, easy playing. That LP didn't have that, so I didn't take it.