PRSfanboy46
Don't lick doorknobs and stay in school
Hey yall, I was pondering this and I wanted your opinions on what the SE line could do better. I only own one PRS and that is my PRS SE Custom 24 from the exotic wood run, mine has a beautiful spalted maple veneer in vintage sunburst and I love it.
My main question is what do you think PRS could do to make the SE's better? Personally, I feel like finish options should be available to choose. Like me, I would have preferred a satin finish over gloss, yet I was able to get used to gloss and like it. My second thing I think PRS could offer for the SE's is customization. My example for this would be what Fender offers with the mod shop. Where you take an SE, base guitar, and then add your own appointments and features to it. Kind of like how the wood library or artist grade customization level of PRS guitars lets you customize certain things and add your own appointments. My third thing I think PRS could do is that they could experiment with using actual thick tops of a lower grade quality figured wood. However, I do know wood is very expensive, ESPECIALLY figured wood due to its rarity and how scarce it can be, but experimentation is what drives guitar creation and makes it evolve. If PRS could get figured wood between an SE and S2 quality, with the top not being a veneer, but an actual figured thick piece of wood (figured), that could open so many more opportunities. But this is all just hypothetical and just suggestions.
For me, it took a few days for me to warm up to the guitar. After having played on a squire for two years, this was a totally different feeling neck finish wise. I have never been a very big gloss neck fan, I love satin finished necks or something where you can see and feel the natural grain but to have a light satin coat. My main concern when I was trying out the SE's was the neck.
I started looking around August of last year at Bill's music house in Catonsville Maryland and it was a nice SE Custom 24 in fire red. I was looking for something that had a wide tonal range (I liked the SE because you could get 6 tones because of the coil tap) and I liked it but I needed to think about it, plus I was just starting school (this happened in September) and I am sure that my dad would not have liked me bringing home a 700 dollar guitar without him knowing. I could have done a payment plan by month but my dad didn't want too and needed to see me doing well in school before he thought about it. So I then start to drink the PRS kool aid and loved it. The month before, in August I went to the factory with my mom (about 45 minutes from where I live, going over the bridge) and was just amazed by the craftsmenship and detail and care they put into the guitars. In September I met Paul at a release event for Bay Tunes guitars and I was fully on board for PRS. Prior, I only had a little bit of experience with PRS guitars, seeing an SE once in a while. Yet I never really knew that they were in Maryland prior to my factory visit. However, now I love PRS guitars.
One fateful day my dad asked me if I wanted to go to Bay Tunes and I wanted to go to guitar center but he didn't want to because GC doesn't have much variety for the one I go to. So we head over to Edgewater and I played around with some SE's. The first thing I noticed was how long they sustained for! The sustain felt very good and the neck felt a bit sticky but I liked the way everything sounded. I tried two SE's that day, the Spalt and one that was in a charcoal burst. I liked the Spalt a lot more personally because of the way it looked and the way it played. I then got around to playing a CE semi hollow in whale blue and oh my goodness I was in bliss. The way the neck felt, the finish of the neck, the shape of the neck, the pickups, the tone, the top, everything just sounded beautiful. If my dad let me choose, I would have bought that CE Custom 24 on the spot. However, I think it is more logical to not buy a guitar player of 2 years and a 14 year old at the time a 1500 dollar instrument. Just not very fiscally responsible. If anything, I would have to work for myself to buy that.
If you have any thoughts about this, please leave them down below!
My main question is what do you think PRS could do to make the SE's better? Personally, I feel like finish options should be available to choose. Like me, I would have preferred a satin finish over gloss, yet I was able to get used to gloss and like it. My second thing I think PRS could offer for the SE's is customization. My example for this would be what Fender offers with the mod shop. Where you take an SE, base guitar, and then add your own appointments and features to it. Kind of like how the wood library or artist grade customization level of PRS guitars lets you customize certain things and add your own appointments. My third thing I think PRS could do is that they could experiment with using actual thick tops of a lower grade quality figured wood. However, I do know wood is very expensive, ESPECIALLY figured wood due to its rarity and how scarce it can be, but experimentation is what drives guitar creation and makes it evolve. If PRS could get figured wood between an SE and S2 quality, with the top not being a veneer, but an actual figured thick piece of wood (figured), that could open so many more opportunities. But this is all just hypothetical and just suggestions.
For me, it took a few days for me to warm up to the guitar. After having played on a squire for two years, this was a totally different feeling neck finish wise. I have never been a very big gloss neck fan, I love satin finished necks or something where you can see and feel the natural grain but to have a light satin coat. My main concern when I was trying out the SE's was the neck.
I started looking around August of last year at Bill's music house in Catonsville Maryland and it was a nice SE Custom 24 in fire red. I was looking for something that had a wide tonal range (I liked the SE because you could get 6 tones because of the coil tap) and I liked it but I needed to think about it, plus I was just starting school (this happened in September) and I am sure that my dad would not have liked me bringing home a 700 dollar guitar without him knowing. I could have done a payment plan by month but my dad didn't want too and needed to see me doing well in school before he thought about it. So I then start to drink the PRS kool aid and loved it. The month before, in August I went to the factory with my mom (about 45 minutes from where I live, going over the bridge) and was just amazed by the craftsmenship and detail and care they put into the guitars. In September I met Paul at a release event for Bay Tunes guitars and I was fully on board for PRS. Prior, I only had a little bit of experience with PRS guitars, seeing an SE once in a while. Yet I never really knew that they were in Maryland prior to my factory visit. However, now I love PRS guitars.
One fateful day my dad asked me if I wanted to go to Bay Tunes and I wanted to go to guitar center but he didn't want to because GC doesn't have much variety for the one I go to. So we head over to Edgewater and I played around with some SE's. The first thing I noticed was how long they sustained for! The sustain felt very good and the neck felt a bit sticky but I liked the way everything sounded. I tried two SE's that day, the Spalt and one that was in a charcoal burst. I liked the Spalt a lot more personally because of the way it looked and the way it played. I then got around to playing a CE semi hollow in whale blue and oh my goodness I was in bliss. The way the neck felt, the finish of the neck, the shape of the neck, the pickups, the tone, the top, everything just sounded beautiful. If my dad let me choose, I would have bought that CE Custom 24 on the spot. However, I think it is more logical to not buy a guitar player of 2 years and a 14 year old at the time a 1500 dollar instrument. Just not very fiscally responsible. If anything, I would have to work for myself to buy that.
If you have any thoughts about this, please leave them down below!