Glide, that is a lovely guitar Can you hear 9 distinct tones out of it when switching?
I have a 2005 Brazilian 513. I love every pickup combination and the fact that you can set your amp and never touch it, changing all your tone and gain from the guitar. I would love to try a 509 to see how it compares...
I'd try to find one in stock somewhere and play it. If you like the 513, I think you'll love the 509. Love the switching on it. Thinking about modding most of my 3 way
guitars with a push pull to two micro coil tap switches and a 5 way to give me more tonal options (even without the middle single coil pickup).
I'd love to hear one with an ash body and maple neck, though.
Well, RW necks are known to have a different tone that mahogany. "Scooped midrange" is I believe the term. So if your amp was looking for midrange tones to give you that punch, that might be the reason.I have one of the early 513's with a BRW neck. I tried for years to love it, to find some context where it would work, and finally gave up. The single-coil neck pick-up is heaven in the midrange, but the tone is weak in upper registers. A sound guy came up to me one night when we were putting away our gear and said, "I've never said this to a lead guitarist...when you go high up on the neck, I can barely hear you. Usually, that's when a lead guitar cuts through everything." The HB tones are fat without definition. I've tried every combination of settings and EQ and it sounded good in mid-range, but not in upper registers....or vice-versa. I considered sending it it to refit it with the 509 pickups that have been really well reviewed, but, on the chance that it's the BRW neck and not the pick-ups, decided not to take the chance. I love to play it unamplified, but I've never figured out a way to make it sound good through an amp. Is the issue the neck wood? Early pick-ups? The combination? Who knows why, but, I never found it useful.
I have one of the early 513's with a BRW neck. I tried for years to love it, to find some context where it would work, and finally gave up. The single-coil neck pick-up is heaven in the midrange, but the tone is weak in upper registers. A sound guy came up to me one night when we were putting away our gear and said, "I've never said this to a lead guitarist...when you go high up on the neck, I can barely hear you. Usually, that's when a lead guitar cuts through everything." The HB tones are fat without definition. I've tried every combination of settings and EQ and it sounded good in mid-range, but not in upper registers....or vice-versa. I considered sending it it to refit it with the 509 pickups that have been really well reviewed, but, on the chance that it's the BRW neck and not the pick-ups, decided not to take the chance. I love to play it unamplified, but I've never figured out a way to make it sound good through an amp. Is the issue the neck wood? Early pick-ups? The combination? Who knows why, but, I never found it useful.
Actually, that would be a late model 513, I believe. It just made it less sensitive to abuse. When I got my 513, one of the pickups had disconnected from the PC board. Since I was taking it to the shop anyway, I had them do the push pull mod, too. I really should play it more often, but it's more guitar than I -- as a beginner -- can really grasp.Might be that neck. Also, if it's an early one, wasn't there an upgrade removing the PC board? I'm sure there was, but I'm not sure what that did.
I have one of the original Guitar of the Month versions and a production version. They both have the same telecaster flavored bridge pick up and strat flavored neck pick up. The Guitar of the Month version is brighter because of the maple neck. Both are very clear and articulate guitars. They don't mush up, and they handle gain like a telecaster. I have been watching a couple over at Moore Music that have maple necks with ebony fret boards and korina bodies. I think that if you are aiming for something more aggressive sounding than the production, I'd seriously look at one of those. But, stay away from the charcoal cherry burst, that one's mine.