feelthaflo
New Member
- Joined
- Sep 3, 2014
- Messages
- 7
I had been on the hunt for an LP-style guitar for years, when I came across this little beauty:
http://briansguitars.com/product/paul-reed-smith-wood-library-sc245-standard-brians-limited-6
No flashy top, no messing around - I was immediately drawn to the understated beauty and class that exudes from this instrument, as well as the more unique features:
- Brazilian rosewood fingerboard adds a bit of natural wood figuring and 'specialness'
- Hand-selected 2-tone bird inlays - again, a touch of bling but not too much
- Hybrid hardware - same as above
- Covered 59/09s - haven't seen these on anything else that I can recall
So, I spent a couple months looking at this guitar, and many others, but I always kept coming back to this one in particular. "Sure it looks great in pictures," I thought, "but it couldn't possibly play or sound as well as my other guitars." Well, Brian had a good sale going for Black Friday, so I jumped at the chance to get my hands on her. The short story is - I was wrong - she plays and sounds just as good if not better than anything I've ever played. There are a couple of quirky issues that I'd like to discuss with you all though:
- Those strap buttons - great concept, but I know I'm not alone when I say that they're almost completely unusable. I had to swap them out for Dunlop Straploks immediately.
- I play a single-ended class A tube amp, and - holy cow what is all that noise going on??? At first I thought it must be a ground issue, but then I popped off the cavity cover and discovered that there appears to be zero shielding inside. This seems like a pretty big oversight for a guitar in this price range - is the lack of cavity shielding normal for PRS Core instruments?
- 33nf caps? That's interesting...doesn't seem to be making her sound particularly dark though - if anything this is probably helping to tame some brightness (which I wouldn't really expect to have in such a high-mass instrument, especially with an all-mahogany body).
http://briansguitars.com/product/paul-reed-smith-wood-library-sc245-standard-brians-limited-6
No flashy top, no messing around - I was immediately drawn to the understated beauty and class that exudes from this instrument, as well as the more unique features:
- Brazilian rosewood fingerboard adds a bit of natural wood figuring and 'specialness'
- Hand-selected 2-tone bird inlays - again, a touch of bling but not too much
- Hybrid hardware - same as above
- Covered 59/09s - haven't seen these on anything else that I can recall
So, I spent a couple months looking at this guitar, and many others, but I always kept coming back to this one in particular. "Sure it looks great in pictures," I thought, "but it couldn't possibly play or sound as well as my other guitars." Well, Brian had a good sale going for Black Friday, so I jumped at the chance to get my hands on her. The short story is - I was wrong - she plays and sounds just as good if not better than anything I've ever played. There are a couple of quirky issues that I'd like to discuss with you all though:
- Those strap buttons - great concept, but I know I'm not alone when I say that they're almost completely unusable. I had to swap them out for Dunlop Straploks immediately.
- I play a single-ended class A tube amp, and - holy cow what is all that noise going on??? At first I thought it must be a ground issue, but then I popped off the cavity cover and discovered that there appears to be zero shielding inside. This seems like a pretty big oversight for a guitar in this price range - is the lack of cavity shielding normal for PRS Core instruments?
- 33nf caps? That's interesting...doesn't seem to be making her sound particularly dark though - if anything this is probably helping to tame some brightness (which I wouldn't really expect to have in such a high-mass instrument, especially with an all-mahogany body).