Personally, I would leave it as a personal matter.
I can think of a hundred thousand reasons.
I can think of 408 reasons.
In 1993 I got a call from my local guitar store. The owner had a 1953 Goldtop LP with a trapeze tailpiece and P-90s. Was I interested?
Well, I went and looked, and played it. I remember the case being opened, and the musty smell, and of course the guitar looked pretty much like Paul's, roughly the same condition. The owner wanted around $3500 for it, and that seemed like a lot to me for an old beat-up thing with green "goo" where one's forearm rests. I wandered around the store, thinking about it. I knew old guitars were starting to become valuable, but...
That's when I spotted a new Artist II hanging on the wall. It was gorgeous, played better than the goldtop, and sounded better, too. I bought it on the spot. And it was shiny and came in a leather case. I was in heaven.
So...I'm thinking maybe Paul found a really nice Artist II and is selling the goldie to fund it?
Oh agreed but I didn't mean personal/financial specifics, I just meant about whatever he talks about in the letter Edlerly claims he wrote for it for the story. They actually decided to upload the letter and you'll see why I wanted to ask him - he is simply poetic in describing what this guitar meant to him and the company.
I had a 53 with the Trapeeze Tailpiece at one time. Those things are impossible to keep in tune. The Tailpiece moved while you played the Guitar.............
Les,
My very first PRS was a purple Artist 2. I had that guitar for a long time, and it sounded unreal.
Oh agreed but I didn't mean personal/financial specifics, I just meant about whatever he talks about in the letter Edlerly claims he wrote for it for the story. They actually decided to upload the letter and you'll see why I wanted to ask him - he is simply poetic in describing what this guitar meant to him and the company.
And one question comes to mind.. why is he selling it?