If I win the lotto, I’m buying you an Axe Fx, Mr S.
I've had experienced session players use them on my tracks, because there are times someone I want to work with is in another state or far enough that it just wouldn't work to have them come here. Since some don't have a good place to record, I don't mind if they have to use an Axe FX, despite my preference.
I might love the playing, and I can mess with the tone with reverbs, delays, EQ and compression to more or less get the tone I want. But it ain't the same as a real amp.
So if you win the lottery, just invite me to your gigantic new mansion in Texas with the million dollar studio attached, and let me work there on a project!! Seriously, if I wanted an Axe FX (or Helix or Kemper), I'd have one in my studio rack already.
The time will come soon enough that I won't be physically able to move my gear around. This worries me for any number of reasons, not least of which is that being old already sucks, and being very old sucks even more, but maybe then I'll need a modeler. Though I have several software modelers I use as scratch pads.
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