I was a college student with a significant shortage of funds in about 1985-1986 when I first started buying Guitar Player magazine. I'd scraped together about $300 for a Kramer Focus and some little trashy Peavey practice amp. Then a summer or two later a Fender '65 Deluxe amp and an Ibanez lawsuit Les Paul Deluxe copy came my way for the princely sum of $200 courtesy of the local classified ads. I didn't know how to work that Fender amp 'cause it didn't sound like Metallica, so needless to say I should have kept it but didn't. At the time I met a guy who had a Jackson, and I swore I'd never spend $1000 on a guitar (how wrong I was...
).
Anyway I started seeing the PRS ads, and the first "PRS Guitar" review by Harvey Citron in one of the GP issues and developed a serious case of lust for PRS, though I figured that guitar was forever out of reach. That lust was abetted by a visit to the Warmoth factory (i.e. family home and workshop) in Puyallup, WA where I learned about quilted maple for the very first time and was absolutely smitten. They also had a walnut-bodied strat that was
incredible, but that's another story.
Fast forward a few years and I was out of school and gainfully employed. My arsenal had grown to include my first real American-mode grown-up guitar, a Fender HM Strat (hey, it was the late 80's, what can i say?). Along about '92 I saw a local classified ad for a "PRS electric guitar" for $700. I called immediately to take a look at it, wondering if it could possibly be real. It was real, and turned out to be an '89 Classic Electric in Pearl Black (which is of course a metallic blue).
Looking at it, I was underwhelmed because there was no pretty figured top, no pretty birds. I didn't care much for the maple fretboard. As I looked closer, I saw the yellow-tinted finish on the neck had been applied right over the dots, right over the frets. The selector knob was cracked, and the neck pickup ring was all smunched up into the neck and deformed -- obviously from the factory that way.
But it played great, sounded great, and at the time I thought "this is a screaming deal at $700 and I'll never own a PRS any other way" (how wrong I was....
). So I scarfed it up and took it to a gig that very night. That guitar and my Mark III Boogie had a torrid thing going from the very start, and my wife even told me "you play better on that guitar," so I was sold!
Oddly, my jones to acquire guitars went dormant at that point. It wasn't until probably 9 years later that I bought my second PRS, a splendid '01 Singlecut in emerald quilt that I will take to my grave. It just got a pair of 53/10s installed in it, BTW. After I bought that guitar, I discovered pretty guitar forums, and ever since I have been snookered into buying about one PRS guitar each year...