One of my favorite blues songs - and favorite all time guitar tones - is "Crosscut Saw" from Albert King's 1967 record, "Born Under A Bad Sign." There are several recordings of the tune that he did over the years, but for some reason this cut pulls me in every damn time.
The rhythm and horn sections were right on, too. I just love this recording!
Also noteworthy is the title song from the album, that was faithfully covered pretty much lick for lick by Clapton on "Disraeli Gears" and clearly influenced his playing style.
On a lot of Albert King records the playing is - to me, anyway - spoiled by either Albert or the engineer cranking the treble and cutting out too much low end, so you get this squeaky vibe. But "Crosscut Saw" is classic Albert King playing and the tone is really beautiful, the way you heard him play live.
The rhythm and horn sections were right on, too. I just love this recording!
Also noteworthy is the title song from the album, that was faithfully covered pretty much lick for lick by Clapton on "Disraeli Gears" and clearly influenced his playing style.
On a lot of Albert King records the playing is - to me, anyway - spoiled by either Albert or the engineer cranking the treble and cutting out too much low end, so you get this squeaky vibe. But "Crosscut Saw" is classic Albert King playing and the tone is really beautiful, the way you heard him play live.