He had a lot of trouble getting the neck pickup so it didn't overpower the bridge pickup. He did some very weird height adjustments to try to get it to sound "right" for his ears, like screwing the bass side of the pickup way, way down inside the pickup rout while the treble side looks up all the way.
All 50's Les Pauls were like that because Gibson did not calibrate the pickups in those days. The were more or less identical pickups and THAT used to drive me crazy too. I owned three of those bursts in the 70's and eventually sold them all.
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