What are you playing right now...

It's a dragon day , hot and humid so ...
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I'm exclusively using my SE HBII right now. My band from the 90s is doing a couple of "reunion" shows at this little bar/grille where the singer hangs out. They don't do live music so it'll be minimum gear while we stand in the corner - the type of gig I haven't done since my early 20s, lol. We're doing 2 hour sets - our original tunes plus 12 covers to keep the crowd interested.

Anyway, we have a lot if acoustic and tunes with acoustic sections, so I'm training myself to get used to that guitar.

I hunted down some new acoustic IRs and am using a sweet patch that has a Martin D35 and a Taylor 816 blended. I'm VERY pleased.

For the electric path I'm still searching for the "right" amp. In the 1990s I played Rivera amps and cabs. Those M/S series Riveras have never been modelled for Helix. Plus, the big request from the owner of the "venue" is that we don't play "heavy". Well, we were heavy, lol, so I need a decent amp that gives me what I need without going to aggressive.....

So, no Engl, Diezel, Revv, etc - you know, the " easy" amps. Been working with the mid- gain stuff in the Helix and playing with "pedals". I'm leaning toward using a Marshall Tremolo 50 w/ an EVM12L loaded Marshall Basketweave IR pair (close mic & room mic) and a Rangemaster Treblebooster for the little extra kick. Only other effect will be a wah pedal for the Michael Schenker cocked wah thing during leads.

But we'll see....
 
I played my Nebula and Lunar Ice today, excellent tones. Loved all 5 pickup positions.

Went to a Peter Frampton concert Friday night, band played for 2 1/2 hours non-stop. Peter is an amazing guitarist. Peter played exclusively Gibsons as did the backup guitarist. The last 2 songs the backup guitarist pulled out a McCarty 594 and it stood out sonically. I was a happy guy seeing/hearing the PRS in the mix.
 
This would be my PS dream anyway .. I've had her 9 years . a carved top and back "Santana HB II" Jaros Gatlinburg built by Tony Nagy while he was at Gruhn's . The book match is excellent , the mahogany neck is a deep tennon going in to the bridge , Custom low wind Fralins with tap and blend
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Broke this one out for a little bit. Pattern Regular neck carve is proving to be more difficult compared to my Pattern / Pattern Vintage neck carves as I age…but the tone is epic (Pernie neck)!

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This is still one of my all time favorite guitars. FYI, my hands work really well with Pattern Regular if you need a place to store this. ;-)
 
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