Tramp
To and Fro, Mostly Fro
- Joined
- Oct 24, 2016
- Messages
- 94
As you can see from my NUGDs post earlier this week, I really like the look of tops where prominent, generally vertical growth rings intersect with regular horizontal flame. The Santana in my avatar is a good example:
Two questions for you congnoscenti:
1) How persuaded are you that narrowly spaced growth rings, as in the Violin guitars, makes for an appreciable difference in maple-topped electric guitars?
2) Many of the select quilt tops on PS guitars show little evidence of growth rings: e.g., this stunning 594 on Brian's site:
http://briansguitars.com/product/paul-reed-smith-private-stock-mccarty-594-sub-zero-glow.
Am I correct that the process that creates quilting in the first place tends to minimize the growth rings?
And a third for the rest of us:
3) Do YOU like prominent growth rings and, if so, do you prefer them parallel to the neck, wavy or even circular?

Two questions for you congnoscenti:
1) How persuaded are you that narrowly spaced growth rings, as in the Violin guitars, makes for an appreciable difference in maple-topped electric guitars?
2) Many of the select quilt tops on PS guitars show little evidence of growth rings: e.g., this stunning 594 on Brian's site:
http://briansguitars.com/product/paul-reed-smith-private-stock-mccarty-594-sub-zero-glow.
Am I correct that the process that creates quilting in the first place tends to minimize the growth rings?
And a third for the rest of us:
3) Do YOU like prominent growth rings and, if so, do you prefer them parallel to the neck, wavy or even circular?