What are your projects currently?

I just installed a new neck and slotted the nut on a Nashville Tele...and I was pretty impressed by THAT!
Refretting...refinishing...well, that's a whole 'nuther level...
 
I just installed a new neck and slotted the nut on a Nashville Tele...and I was pretty impressed by THAT!
Refretting...refinishing...well, that's a whole 'nuther level...
I got all the frets out today, and I am going to radius the board to a pretty flat radius and then re fret it with stainless steel. I would want to make it into a super strat but I think some texas specials would be just fine. I could consider a veneer for the body but strats have a lot of contour to work with so I wouldn't feel comfortable with that just yet. I hope with re radiusing the neck will fix where I had some chipping action going on.
 
A lot of professional luthiers don't particularly like to work on stainless steel frets, other's have more patience and the right tools and don't mind so much. They do last almost forever, but there are trade-offs. But in terms of gaining experience working on frets; getting the radius perfect, finishing the ends, etc. non-stainless ones might be a better way to go. There are many different shapes, sizes, styles and hardness's to explore.

I admire your enthusiasm. I was a woodworker when I was much younger, and did successfully build a guitar that I still have. But there were two others that ended up stillborn before the one that made it all the way. And I was a journeyman cabinetmaker working in a fully equipped custom cabinet shop. Of course today there are much better resources for aspiring builders than there were in the '70's; I was mostly using one paperback book on luthiery I found in a bookstore!
 
Dialing in several rig's tone with my HeadRush Gigboard. Interesting that each rig seems to change either EQ or tone settings overnight. Some sound more muffled, or low-mid heavy, some too bright.

I've been giving it some thought, but won't overthink this. Ears work well when used correctly.
 
Wow, I mean the color wouldn't be my first choice personally, but good for you! Please tell me the top wasn't figured at all.

Yeah It did start its life as a violin Amber artist 10 top. Blue is one of my favorite colors but knowing me that guitar will change colors every few years.
It was never a show piece. Down the road If I can find a piece of tight flame maple I might plug it and re finish the top.
 
Was sitting in my room, trying to give some thought to efficient ideas. Some what ifs, swimming in my head, have not landed anything yet...may need to bounce some ideas off you folks, will put our feelers possibly later this week...

One repair involves insulation...(ducks and runs for cover)
 
Yeah It did start its life as a violin Amber artist 10 top. Blue is one of my favorite colors but knowing me that guitar will change colors every few years.
It was never a show piece. Down the road If I can find a piece of tight flame maple I might plug it and re finish the top.
Ah blasphemy for a 10 top! Hopefully the flame is still noticeable under the new coat. PRS guitars aren't really meant to be refinished and thats due in part with the finish, it's just so thick!
 
Yeah no flame visible. The clear coat is mostly intact underneath if I ever need to strip it down.
Had to just dive into this one because If I ever sent it in for a refinish they would probably take the bandsaw to it and put me on some kind of government watch list. Guitar terrorism

It might look ridiculous but she drives like hot butter.
 
Yeah no flame visible. The clear coat is mostly intact underneath if I ever need to strip it down.
Had to just dive into this one because If I ever sent it in for a refinish they would probably take the bandsaw to it and put me on some kind of government watch list. Guitar terrorism

It might look ridiculous but she drives like hot butter.
It's blaspheme but hey man you do you! I am building two guitars right now and one's a single cut kit and one is my first guitar, a squire strat and I am stripping the finish off the squire and I am going to do a maybe a swirl paint job or a sunburst vibe and the single cut will be a saharran burst or a faded denim like the PRS color and do that in satin.
 
It's blaspheme but hey man you do you! I am building two guitars right now and one's a single cut kit and one is my first guitar, a squire strat and I am stripping the finish off the squire and I am going to do a maybe a swirl paint job or a sunburst vibe and the single cut will be a saharran burst or a faded denim like the PRS color and do that in satin.
Those sound like fun projects! The swirl process is fun. With that squier I would recommend just hitting it with like 220 or 400 on the finish and try right on top of that. I stripped one of the vintage modified down to bare wood and it was a nightmare trying to get through the clear coat. It's super thick, heat gun helps a lot. The wood is really soft and its easy to deform when scraping or sanding.
 
Dialing in several rig's tone with my HeadRush Gigboard. Interesting that each rig seems to change either EQ or tone settings overnight. Some sound more muffled, or low-mid heavy, some too bright.

I've been giving it some thought, but won't overthink this. Ears work well when used correctly.

Been doing something similar with my old Eleven Rack lately.
Reworking my patches to work better in a mix.
I do this either in youtube playing over backing tracks, or in Pro Tools reamping older tracks I've done.
I also realize that I spent more time doing things like this than really playing... o_O but I like it...
 
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