Thanks for the compliments on the guitar, guys!
I practiced for quite a while today with the it, and a good chunk of that time was on the neck pickup. For some reason, neck pickups on a maple neck guitar really float my boat. I mentioned that "flute tone" resonance in my initial post in the thread, and it's there in spades on this guitar. With the DG30 amp, I put it to good use today. Turns out I didn't really have to set the amp up all that differently than I do with the CU24 30th; all I had to do was flick off the bright switch, and boom! I was happening!
Also, despite the fact that the CU24 with the 85/15s is acoustically a warmer sounding instrument due to the 'hog neck, I do hear differences between the 85/15 and 58/15 pickups now that I'm a little more used to the sound of the McCarty, including both guitars back to back unplugged and amplified. Again, hard to quantify this given so many differences between the two instruments, but the 58/15s seem a little rounder - sorry, not a vivid descriptor, but it's the only way I can put it given such different instruments.
Maybe because I'm more used to hearing a maple neck guitar with a cleaner, more American style amp, the DG30 seems to have the edge with this particular guitar over the HXDA. An amp that's even more Fender-like would probably also be a great match for it, perhaps something like a BF or tweed Twin, or even a Lone Star type amp. Etc.
So that's it - the thoughts on the guitar for today!
What finish is that? Gorgeous!
It's Black Gold, non-burst. Jack, who spec'd it, tells me that it's less dark than the usual Black Gold instruments because of the East Coast maple.