I don't want to have to carry a hex key to do a string change, or tune my guitar. In the heat of battle and you need to change a string quickly on a dark stage, nothing beats the PRS trem and Phase II/IIIs for speed and ease of changing.
Well, this is partly true about the Gen III trem, but not of the tweaked tuning machines.
However, I have the Gen III trem on my 20th PS Anniversary guitar, and while I can't attribute its incredible sustain only to the Gen III, I will say that this trem-equipped guitar is the only guitar I have that actually out-sustains my McCarty Singlecut. And this not just a 1% improvement. It's right out front.
That's pretty unusual, as I'm comparing the guitar to one that's thicker, and has a two-piece stoptail bridge.
Now, granted, you might not take this guitar out for gigging unless you're lucky enough to have a tech or an extra guitar in case a string breaks, but for recording, where having an extra hex key around isn't a big deal, it's an
amazing guitar to record with.
For those of us who are into such things, I have to say that the very slight hassle is absolutely worth the effort, and pays dividends in how beautifully the guitar does its thing.
All of those are great points, yet you mention nothing of Blue guitars. I am confused, and slightly drunk, while riding out nasty weather. Wife is out cold , and dogs are begging to get to the basement. Me...I'm pouring more Jack and looking West.
I'm celebrating Warner Brothers putting Jamie's band on their Artists page with a very dry Martini. If a dad can't enjoy a drink when that happens, life would really suck.
