Huggy Love
Vintage member
- Joined
- Mar 10, 2015
- Messages
- 2,901
I bet you thought I was going to post a thread telling you that I found "the ultimate pick", .................. not a chance. 
There have been threads in this forum about high-end picks with a lot of great info, I went back and read over them again, but I have a more precise question. Hopefully the PRS family can give some input to help me achieve my target goal.
Here's where it's at: I've been using Dunlop 208's for years, perfect to get a dark, thick, jazz tone, but recently I pulled out some of my pre-70s real tortoise picks and fell back in love with how smoothly they flow off the strings. Have been playing with the T-picks on my HB for about a week acoustically, but when I plugged up this afternoon and played along with one of my Pat Matheny CDs, I noticed how plucky and thin it sounded regardless of how I tweaked the tone knobs. Went straight back to the 208's and that beautiful tone, so dark and rich,..................................... but they dragged. I felt a significant resistance change as they didn't glide over the strings like the t-shell.
So my question to you fellow members, especially those familiar with high-end picks: Of all the high-end pics that you tried with the so-called "self lubricating" selling point, which one sounds the darkest? Thickness, shape, material, and size all play a role in this equation so please share your thoughts and experiences.
Thanks

There have been threads in this forum about high-end picks with a lot of great info, I went back and read over them again, but I have a more precise question. Hopefully the PRS family can give some input to help me achieve my target goal.
Here's where it's at: I've been using Dunlop 208's for years, perfect to get a dark, thick, jazz tone, but recently I pulled out some of my pre-70s real tortoise picks and fell back in love with how smoothly they flow off the strings. Have been playing with the T-picks on my HB for about a week acoustically, but when I plugged up this afternoon and played along with one of my Pat Matheny CDs, I noticed how plucky and thin it sounded regardless of how I tweaked the tone knobs. Went straight back to the 208's and that beautiful tone, so dark and rich,..................................... but they dragged. I felt a significant resistance change as they didn't glide over the strings like the t-shell.
So my question to you fellow members, especially those familiar with high-end picks: Of all the high-end pics that you tried with the so-called "self lubricating" selling point, which one sounds the darkest? Thickness, shape, material, and size all play a role in this equation so please share your thoughts and experiences.
Thanks