The sonic wonders of walnut: best-kept secret?

watelessness

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I recently picked up a walnut-bodied guitar and was blown away by it sonically. It seemed to have more harmonics than I thought possible.

Why do we not see more walnut guitars?
 
I recently picked up a walnut-bodied guitar and was blown away by it sonically. It seemed to have more harmonics than I thought possible.

Why do we not see more walnut guitars?
I had a walnut guitar a long while back. It was decent stock but nothing crazy to my ears. I was extremely underwhelmed when it came to changing the pickups. The stock ones were alright but I wanted something different. I tried SDs, Dimarzios, even BKs and NOTHING sounded good in that guitar. It just made them all sound dull and muddy. I wasn't a fan, but then again, I haven't tried anything else that was made from walnut. YMMV
 
I had a Taylor 914 series acoustic with Claro walnut back and sides, called the W-14; it was similar to maple, but a little warmer, not as much snap to the pick attack. I'd say an important drawback for me was that particular guitar tended to get lost when blended with other instruments, though it sounded very nice played solo. However, the main reason I sold it was that it sounded...well...too different from what I looking for.

I believe that folks tend to buy guitars that give them "the tone they hear in their head," i.e., the sounds they can identify with after years and years of listening to recorded and live music. We're so used to the sounds of guitars made of mahogany, maple, rosewood, and ebony tone woods that the more unusual woods sometimes don't sound as "right" to us.

Just peruse the threads where people are looking for, say, a Strat type of sound, or a Les Paul type of sound -- the overwhelming reaction to the 594 is a good example of how people respond to more traditional sounds, it certainly tells you what many players think about!

So for me, a guitar like that would have to be more of an alternate "mood guitar," one I'd play occasionally if I had a lot of guitars. Maybe that's why there isn't as much demand for them?
 
Is it hard to get instrument-quality walnut in PRS-production-level quantities?
 
The last time Hans paid me a visit, he played a number of acoustics. He was shocked when he chose my all-walnut (yep, even the top) Larrivee as the best sounding one in the bunch. And, he said it wasn't even close.

Larrivee certainly is a superb guitar maker, and I've never played a bad one (had a couple spruce/rosewood models from him in the late 90s).

We're all coming at things with different tastes and expectations.

Based on my experience owning the walnut Taylor for a couple of years (and the Claro walnut sure was gorgeous to look at), I don't think I'd buy another walnut guitar. It wasn't bad at all, but it wasn't great either. Could have been that particular instrument, but once bitten, twice shy! ;)
 
That Walnut Semi-Hollow LTD. some of y'all have looks f@ckin' fantastic! I'd like to hear one someday.
 
I recently picked up a walnut-bodied guitar and was blown away by it sonically. It seemed to have more harmonics than I thought possible.

Why do we not see more walnut guitars?

Post #4 says it all! I say the same for Oak. It sounds great,, looks great, but you cannot have a guitar made out of the same wood as your kitchen table, unless it is Brazilian Rosewood.
 
I recently picked up a walnut-bodied guitar and was blown away by it sonically. It seemed to have more harmonics than I thought possible.

Why do we not see more walnut guitars?

I have a Warmoth homebrew job that's a walnut-bodied explorer with bolt-on maple neck and ebony fingerboard. It rings like a freakin' bell!

(I really should play it more, but it's had electrical gremlins since it was born 20-odd years ago...)
 
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