RickP
Established 1960, Still Not Dead
In another thread, we were discussing picks and their effect on tone. Someone referenced Brian May of Queen, and his longstanding preference for the British sixpence coin as a pick. Of course, as a seeker of tone, I purchased a handful of them and set about playing some May-ish licks to see what this was all about. In the thread referenced in the beginning of this post, I made mention of this short, but interesting, journey.
Lo and behold, someone with a lot more expertise than I in Brit coinage pointed out that I was using the wrong coin! Well, not the wrong coin, the wrong version of the coin... more correctly, the wrong age of coin. I was using coins from the 50s and 60s. I mean, if the Fab Four might have been toting them around in their pockets, surely they must contain the magic tone. But, no. These coins were unacceptable for said task. This coin changed composition in the late 40s, and those made after were not the holy grail of Mayosity.
Well, this must be rectified! So, you guessed it, I quickly found some of the right coins (older than 1947, to be certain it wasn't a "transition" coin). And guess what? They actually DO sound different! The newer coins sound brighter, and the older ones have a bit less tinny sound and are more rounded overall. So, I can see why Mr. May actually prefers one over the other. So I guess if you're a high gainer who wants a lot of edge, go 1949 on up. For the balanced tone of an English gentlemen and classic tone crafter, go 1946 and back. As far as I can tell, 47 and 48 were the years they were transitioning and the coins could be of either metal content. Use those if you're feeling dangerous.
One more bit of totally useless trivia to crowd your mind. For those keeping score, 1959 on the left, 1932 on the right.
Lo and behold, someone with a lot more expertise than I in Brit coinage pointed out that I was using the wrong coin! Well, not the wrong coin, the wrong version of the coin... more correctly, the wrong age of coin. I was using coins from the 50s and 60s. I mean, if the Fab Four might have been toting them around in their pockets, surely they must contain the magic tone. But, no. These coins were unacceptable for said task. This coin changed composition in the late 40s, and those made after were not the holy grail of Mayosity.
Well, this must be rectified! So, you guessed it, I quickly found some of the right coins (older than 1947, to be certain it wasn't a "transition" coin). And guess what? They actually DO sound different! The newer coins sound brighter, and the older ones have a bit less tinny sound and are more rounded overall. So, I can see why Mr. May actually prefers one over the other. So I guess if you're a high gainer who wants a lot of edge, go 1949 on up. For the balanced tone of an English gentlemen and classic tone crafter, go 1946 and back. As far as I can tell, 47 and 48 were the years they were transitioning and the coins could be of either metal content. Use those if you're feeling dangerous.
One more bit of totally useless trivia to crowd your mind. For those keeping score, 1959 on the left, 1932 on the right.

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