Cool! The Eddie Van Mayer version. I think it looks awesome.I'm just going to leave this here...
Hi guys! Was wondering what would happen from a tonal perspective by removing the resistor in the volume pot, has anyone tried it? Is clear its purpose but why using a 300k pot + a resistor to lower it down instead of a 250k pot from the start?. I know, is a signature model but from a technical perspective was curious on that application.
Virtuoso unfortunately did not get it off. Removed microscratches though that I had easily, great product! I will live with it. Does this happen also with guitars with a poly finish? Definitely came from sweat where I rest my forearm.My white silver sky (5 months old) changes color where I rest my arm. Cant seem to get it off, is this permanent ? I try to wipe it off as much as i can, no idea how this happened so fast.
Any product i could use? For now i just tried water.
That looks like your guitar's finish is definitely absorbing your skin oils etc. Nitro is certainly going to be more prone to this than poly-based finishes, unfortunately - nitro never officially fully seals or sets, from what I gather. With most colors you might not notice this (hey JM, that's why tobacco burst is so nice looking, hint hint), but white will be quite obvious.Virtuoso unfortunately did not get it off. Removed microscratches though that I had easily, great product! I will live with it. Does this happen also with guitars with a poly finish? Definitely came from sweat where I rest my forearm.
Thanks, this is definitely my last white guitar. I wish they would release the black color again!That looks like your guitar's finish is definitely absorbing your skin oils etc. Nitro is certainly going to be more prone to this than poly-based finishes, unfortunately - nitro never officially fully seals or sets, from what I gather. With most colors you might not notice this (hey JM, that's why tobacco burst is so nice looking, hint hint), but white will be quite obvious.
I have had 10 different ones through some crazy trading and selling and aside from individual weight of the instruments, they are the most consistent guitars I’ve ever played.Question for you who own more than one Silver Sky - are you noticing enough variation between individual instruments that makes owning more than one Silver Sky a thing?
I have like ten strats from various boutique owners and Fender and they're all different from each other, but I am finding slowly the Silver Sky becoming my main guitar (I have a 2019 with rosewood board in Mesa Gold), and am wondering if it's worth it to pick up another SS because of the variation?
I just operate with this vibe that PRS stuff is so engineered that the differences between individual instruments are pretty minimal - which is my experience with other PRS models, but wondering if the strat origins of the Silver Sky embue some sort of funky individuality into the instruments?
Any tonal/playing differences with the maple board vs rosewood in your experience in particular with the SS, other than the usual maple/rosewood differences?I have had 10 different ones through some crazy trading and selling and aside from individual weight of the instruments, they are the most consistent guitars I’ve ever played.
The caveat being that the maple board necks have slightly more shoulder so if you want variation, I would do one maple and one rosewood. Otherwise it comes down to weight or color.
The pre-2020 SS had a poly coat and from what I hear, slightly hotter pickups.
The maple has a saying finish on the back so it did feel “smoother/faster”, but the rosewood was by no means sticky feeling.Any tonal/playing differences with the maple board vs rosewood in your experience in particular with the SS, other than the usual maple/rosewood differences?
Yes I have an 18 and a 19 and they are different enough that I can't pick a favorite.Question for you who own more than one Silver Sky - are you noticing enough variation between individual instruments that makes owning more than one Silver Sky a thing?
I have like ten strats from various boutique owners and Fender and they're all different from each other, but I am finding slowly the Silver Sky becoming my main guitar (I have a 2019 with rosewood board in Mesa Gold), and am wondering if it's worth it to pick up another SS because of the variation?
I just operate with this vibe that PRS stuff is so engineered that the differences between individual instruments are pretty minimal - which is my experience with other PRS models, but wondering if the strat origins of the Silver Sky embue some sort of funky individuality into the instruments?
I agree. I got a moon white that is my number 1. If someone told me I’d be happily playing an SE (nothing against them) more than a core I wouldn’t have believed it. The neck is amazing. Pickups are amazing.I can’t lie: the SE version is a steal. The satin neck with roseboard frets hit the spot perfectly. Took what I love about the core necks and combined them!!!
The only change I did was to upgrade to locking tuners. But that was convenience and not because of a faulty tuner. Even the single coil tones sound good. Sub $1k fenders either sound ice pickish or have horrendous frets. The action is a tinge higher than I prefer but I have come to find this is very common in guitars with a radius under 9.5”. Any lower and I get buzzing in the upper frets.
I bought my used. The person flushed the bridge in the front. This destroyed the resonance. I only realized it was not proper when I read a review that mentioned the bridge was angled. I backed off the screws and voila. I also returned the pickups to proper height and it sounds great to me!