Locking tuners. Those weren't around in the '60s. There's your modern!
In terms of sunburst, I don't consciously like it and I've never chose a burst finish because it was sunburst, but I seem to have ended up with quite a few of them over the years. I had a burst Firebird back in the early '80s because I got it for next to nothing at a garage sale and there was only one to choose from. I had a strat that was sunburst that I chose because the other choice with a neck I liked was puke "gold" that I never could have picked up, let alone played. I have a burst Gretsch Jim Dandy because the black one they also had in stock didn't play as well as the burst. My 594 was a tobacco burst because the other used 594s available when I was looking were colors I didn't like and that tobacco burst was friggin' GORGEOUS even for someone who doesn't really like burst. In addition to being beautiful it was the most understated option and I like understated even if not necessarily in burst. My Ibanez Scofield is burst because that's all they come in. There's another Scofield model now that's black, but my tele is already black and I didn't want two black and one silver electrics, so I went with burst. I don't love burst, but evidently I don't hate it because I keep ending up with it. Often as the least objectionable option, but that ain't nuthin - particularly when it keeps happening... My strat, funnily enough, could just about be a silver sky except for the headstock. It's an inca-silver Robert Cray model with a rosewood fretboard and I think it's REAL sharp looking. As is my jet black tele with the blond maple neck / fretboard. Like a great looking blonde in a black dress....
-Ray