I plugged into a Mesa Rectoverb combo not super quiet, not really loud....probably enough to be slightly annoying
I played mostly through the clean channel and toggled between the clean/pushed modes. Just a bit though channel 2 most in raw & vintage modes. I picked this amp because I'm fairly familiar with it and I didn't wanna screw around dialing in clean tones on an amp I didn't know.
I played:
SAS Special(I actually owned one of these for awhile)
SAS Narrowfield
P22
Studio 22
DC3
305
The DC3 & 305 I only plugged in really briefly to hear them - I'm just not a Stratty kinda guy at all.
SAS Special - was kinda how I remembered it. Really liked the variety of tones, both tapped and humbucker. I didn't love the single coil in the middle all by itself, but that might just be my slight aversion to single coils. I think it could've benefited from some pickup height adjustments.
SAS Narrowfield - Really enjoyed this guitar. I like the narrowfield pickups all by themselves and in combination with each other. Liked every position on the 5 way switch. I liked how backing off the guitar volume got you to a more single coil world. I think what I like is that I could keep it a little thicker than single coil tones but was still damm close. LOVED the neck - the naked, unfinished feel is far better than the feel of the SAS Special to me. It was natural finish on the body - which is what I'd buy if I were getting one. Also liked the NFs on channel 2 quite a bit. I wish there would've been a soapbar guitar to compare with.
Studio 22 - Liked this guitar a lot as well. It was like a darker, thicker version of the SAS NF. All the things you'd expect the difference to be between a swamp ash/maple neck vs. mahogany/maple/mahogany set neck. I was curious about the rumor I've heard of the 57/08 being underpowered to the NF's. Now the 5708 was set REALLY low, so not sure I can make good judgement here. When I played clean channel, it was not as noticeable to me. I didn't find it to sound underpowered. Was noticeable when I went on to channel 2 though....when I clicked over and wanted to get kicked in the gut with some gain, it did seem quieter than the NF's. I'd have to play with pickup heights to make a decision on that issue. Overall, this was a guitar I felt very comfortable on - closer to my normal home of McCarty and SC.
P22 - I plugged the piezo pickup into a separate amp on the clean channel(there was no acoustic amp in room) and kept the mag side plugged into the rectoverb. I could probably get lost for several days dialing in combos of tones here
I might disappear from the world for a bit with a PA and my amp rig. The jury is still out on how I like the 5310 pickups, I spent very little time focusing on JUST the regular mag sound. This guitar would be most useful for me in my band, being the only guitar player. Endless possibilities there. I still wanna hear the piezo thru a DI or acoustic amp, I can only imagine.
So the SAS Nf narrowly getting edged out by the P22 as my favorite of the day....mostly because I don't have anything that can do the piezo thing and it's a guitar that would be very useful in my band. All in all a great day trying out some unfamiliar PRSi.

I played mostly through the clean channel and toggled between the clean/pushed modes. Just a bit though channel 2 most in raw & vintage modes. I picked this amp because I'm fairly familiar with it and I didn't wanna screw around dialing in clean tones on an amp I didn't know.
I played:
SAS Special(I actually owned one of these for awhile)
SAS Narrowfield
P22
Studio 22
DC3
305
The DC3 & 305 I only plugged in really briefly to hear them - I'm just not a Stratty kinda guy at all.
SAS Special - was kinda how I remembered it. Really liked the variety of tones, both tapped and humbucker. I didn't love the single coil in the middle all by itself, but that might just be my slight aversion to single coils. I think it could've benefited from some pickup height adjustments.
SAS Narrowfield - Really enjoyed this guitar. I like the narrowfield pickups all by themselves and in combination with each other. Liked every position on the 5 way switch. I liked how backing off the guitar volume got you to a more single coil world. I think what I like is that I could keep it a little thicker than single coil tones but was still damm close. LOVED the neck - the naked, unfinished feel is far better than the feel of the SAS Special to me. It was natural finish on the body - which is what I'd buy if I were getting one. Also liked the NFs on channel 2 quite a bit. I wish there would've been a soapbar guitar to compare with.
Studio 22 - Liked this guitar a lot as well. It was like a darker, thicker version of the SAS NF. All the things you'd expect the difference to be between a swamp ash/maple neck vs. mahogany/maple/mahogany set neck. I was curious about the rumor I've heard of the 57/08 being underpowered to the NF's. Now the 5708 was set REALLY low, so not sure I can make good judgement here. When I played clean channel, it was not as noticeable to me. I didn't find it to sound underpowered. Was noticeable when I went on to channel 2 though....when I clicked over and wanted to get kicked in the gut with some gain, it did seem quieter than the NF's. I'd have to play with pickup heights to make a decision on that issue. Overall, this was a guitar I felt very comfortable on - closer to my normal home of McCarty and SC.
P22 - I plugged the piezo pickup into a separate amp on the clean channel(there was no acoustic amp in room) and kept the mag side plugged into the rectoverb. I could probably get lost for several days dialing in combos of tones here

So the SAS Nf narrowly getting edged out by the P22 as my favorite of the day....mostly because I don't have anything that can do the piezo thing and it's a guitar that would be very useful in my band. All in all a great day trying out some unfamiliar PRSi.