It's interesting, though; KP says to you he's not interested in unobtainium wood, but then makes sure you know that his special piece of poplar comes from a 150 year old barn from Kentucky blah blah.
If that ain't a "special" piece of wood, well...let's just say there's some irony in the explanation.
I really like Kimock; he's a very nice guy. Don't know KP. I'm sure he's a smart fellow.
Actually I saw it when it was still a big hunk of what used to be a beam from a barn. It came in while I wasn't officially a "client" -- at the time, I was just a friend and, actually, a bit of a "test mule" inasmuch as my NH residence was about an hour's drive from KP's shop and he would call and ask me to come down and play a guitar he'd finished so he could hear how it sounded. Or, a couple of times, to test drive some new brand of strings that he was considering. Ken had messed with a couple of slabs from another beam from the same barn and was all excited because they aced his set of tests he has for whether a piece of wood will make a "good" guitar by his standards. So he bought this beam.
To be honest, while I loved the Kentucky connection as well as the fact that the wood is
green -- the color green, not "unseasoned" -- I was skeptical. (Poplar?
really?) Until he built one guitar from it for another client. I played that alongside a couple from more traditional woods (maple and mahogany) and strongly gravitated to the poplar one out of those three.
So: no irony involved. At least inasmuch as there was no salesmanship going on.
Ken and Kimock are cut from the same cloth. Highly intelligent. Very direct, no BS. Always call something
what it really is. Very little tolerance for the kind of wishful/fantasy/delusional thinking that permeates the guitar world. Both are hard-core
scientists in their thought patterns.
And both are delightful people who make my world a much better place as a result of my friendship with them.