Never thought about the way it looks, but ever since I heard that a singlecut is done that way for stability, I've come to prefer them, at least psychologocally (I still have a buttload of doublecuts, though, don't think I'll ever not want a doublecut). I mean, that's why Tosin Abasi's signature 9-string looks the way it does...
See, I don't get that. Why would the upper bout interfere with you at all, your hand's on the underside. And you're going to have just as much heel -- if not more -- on a doublecut of ... similar? No...equivalent? No...of corresponding build.Given my poor technique, it just feels like I'd have trouble in the upper ranges on that. Although I'm guessing there's little to no neck heel.
You are my hero. Can we be friends?
Okay, we can't be friends, I idolize you too much. I would have trouble making up my mind, so would have to get them all, but I haven't even started yet. Have you tried the HSP90s yet? That's what I was going to start with.I have pretty much their entire line across a bunch of 7 strings.
See, I don't get that. Why would the upper bout interfere with you at all, your hand's on the underside. And you're going to have just as much heel -- if not more -- on a doublecut of ... similar? No...equivalent? No...of corresponding build.
I mean, think about it -- why would the heel be any different? If anything, it has to compensate for the missing stability provided by the upper bout, and therefore be "more" somehow.
Given my poor technique, it just feels like I'd have trouble in the upper ranges on that. Although I'm guessing there's little to no neck heel.
Absolutely! That would be awesome.Singlecut 7's? Yes please :!:
No worries -- I get pretty sloppy with my thumb up there, it's all over the place. You know it's bad when my guitar teacher says, "stop stop stop" and reaches over to take my thumb off the neck, because it's touching the high E string, and he can't bare to watch such bad technique. (And yes, I've been spending a lot of time up there recently with my arrangement of "Computer Love" -- I'm starting by playing everything in the right key and octave.)I meant less heel on a design like the 9-string - but I'm assuming that the body and neck attach all through that extra area and that it's the same thickness as the rest of the body.
And to be honest, I'm not sure where my hand is when I get to those upper areas - I feel like my thumb is up around the bass side, but I really don't know.
There is the rear. Maple neck, just a tad flamey, ebony board, mahogany body, quilt top. Bare Knuckles for all my pickup needs. I have pretty much their entire line across a bunch of 7 strings. Pretty much a custom 24 made into a 7 with Private Stock flair.
Separately, I agree completely about the single cut. If you have spent a reasonable amount of time around any SC/LP type, 6 or 7, it's easy peasy to play, even way up high. Just keep that thumb in center.