Since I can't play my amps, I thought I'd try an experiment with my studio monitors.
I have a Furman P-1800 PFR that I've been using to power my amplifiers. It has a 45 Volt power reserve that allows the amplifiers to draw more instantaneous power than they can get from the wall.
But before I bought it, I spoke to one of the guys at Furman who during our discussion said, "Wait 'til you try this thing on your powered studio monitors."
Well, it sounded so good with my amps, that I didn't want to move it to my workstation area to try that.
However...the issue I have with the nerves feeding my fingers being so screwed up, means I can't play guitar. And since I was working on mastering a couple of my electronic music tunes, I thought, "Gee, why not try it with the studio monitors?"
So I hooked it up. I have a pair of Event Opals, that I think are among the finest sounding near field monitors I've used yet, including my beloved Genelecs (I've had several of their models), B&W 805s with Krell amplification, various Dynaudio models, etc. Anyway, tonight I powered them with this unit, that in turn was plugged into my Equi=Tech isolation transformer that has voltage regulation.
I was absolutely floored. It makes a very significant difference that you can hear right away. Everything came to life. And these were VERY good sounding monitors beforehand!
What happens is that monitors need to draw power for peaks faster than the wall can deliver it, just like amps. This is not a subtle difference. It is night and day. I am amazed.
This is not a cheap box. But if I keep an amp or two around in my studio for session guitarists to use when they come by to lay down tracks, I'm going to need another one of these. This thing WORKS. It's great for guitar amps, it literally transforms my Lone Star, and it's great for studio monitors. Wow.
I have a Furman P-1800 PFR that I've been using to power my amplifiers. It has a 45 Volt power reserve that allows the amplifiers to draw more instantaneous power than they can get from the wall.
But before I bought it, I spoke to one of the guys at Furman who during our discussion said, "Wait 'til you try this thing on your powered studio monitors."
Well, it sounded so good with my amps, that I didn't want to move it to my workstation area to try that.
However...the issue I have with the nerves feeding my fingers being so screwed up, means I can't play guitar. And since I was working on mastering a couple of my electronic music tunes, I thought, "Gee, why not try it with the studio monitors?"
So I hooked it up. I have a pair of Event Opals, that I think are among the finest sounding near field monitors I've used yet, including my beloved Genelecs (I've had several of their models), B&W 805s with Krell amplification, various Dynaudio models, etc. Anyway, tonight I powered them with this unit, that in turn was plugged into my Equi=Tech isolation transformer that has voltage regulation.
I was absolutely floored. It makes a very significant difference that you can hear right away. Everything came to life. And these were VERY good sounding monitors beforehand!
What happens is that monitors need to draw power for peaks faster than the wall can deliver it, just like amps. This is not a subtle difference. It is night and day. I am amazed.
This is not a cheap box. But if I keep an amp or two around in my studio for session guitarists to use when they come by to lay down tracks, I'm going to need another one of these. This thing WORKS. It's great for guitar amps, it literally transforms my Lone Star, and it's great for studio monitors. Wow.