The older one was louder acoustically, but not much, and this one is less plinky on the top strings, probably the shorter scale and two piece bridge. What scared me was looking inside before I even strummed a chord. There are those big braces, AND a block thats twice as wide because you need the support under the entire tailpiece vs the old stop tail. It is so stunning to look at, I was afraid it was going to be dead sounding like the last HB2 I played. I chord. Thats all it took. 5th position A-9 to be exact. Oh yea, all that resonance and clarity on the high B note with a big firm A note on the bottom. Its amazing. That one chord, and I knew I was keeping it. Then I put it up against my other 3 brand new 594s. This is the bad news. I MAY keep the single cut, but the other 2 I doubt. This does it all, and then some.
Another thing is the workmanship. I thought maybe when they do a run, the quality would be a bit lower than a 1 off like other PSs were. Not so at all. The woods, workmanship, fit finish and set up are as good as it gets. Second to NO one.
A totally amazing guitar and job by my favorite electric guitar builder.
PAUL REED SMITH!
VERY GOOD VERY GOOD!!