Johan Allard
New Member
- Joined
- Sep 25, 2015
- Messages
- 154
New Guitar Day! Yay!
My new PRS 509 arrived today. This Wood Library beauty features an awesome quilt top finished in Livingston Lemondrop, Korina body, flamed maple neck and Ebony fretboard. It's only been a couple of hours and so far I love this thing. I've been wanting a more strat-like PRS for a while and this delivers in spades (without being a full on copy – i.e. Silver Sky). It's the only 509 I've ever played so I don't know how it compares with others but with the slightly longer scale length, maple neck and ebony fretboard this is very bright and snappy. Exactly what I wanted.
Here's my current PRS collection, from left to right:
- Signature Limited (the limited edition model that later became the 408)
- 594 Artist with Korina body, Rosewood neck and Ebony fretboard.
- 509 Wood Library with Korina body, Maple Neck and Ebony Fretboard
- 594 Single Cut Wood Library with Rosewood Neck and Ebony Fretboard
- P245 Semi Hollow 10 Top
And here's the rest of the class of 2018. In front left to right:
- Les Paul Custom Shop Axcess
- Suhr Pro in Shoreline Gold
- Taylor T5z in Tasmanian Sassafras
With that, I think I'm sort of almost, nearly, maybe done. At least for a little while
509 Modification
Updated 23rd of April with a Mod I did before rehearsal yesterday.
Before playing PRS' I played Les Paul's almost exclusively and always had them dialled in with the neck tone on 10 (i.e. don't roll off any highs) and then the bridge tone set usually between 5-7 depending on guitar. I found it gave the guitar a very even frequency range. To mimic that on my 509 I disconnected the tone cap from the volume pot and soldered it on the 5 way switch on the bridge pickup lug. If you look at the picture below I removed the cap at the green blob and soldered it like on the blue line. What this does is that the tone knob now only works on the bridge pickup. The middle and neck are like they have the tone knob on 10 all the time. Definitely a lot more to my liking and easily reversible.
My new PRS 509 arrived today. This Wood Library beauty features an awesome quilt top finished in Livingston Lemondrop, Korina body, flamed maple neck and Ebony fretboard. It's only been a couple of hours and so far I love this thing. I've been wanting a more strat-like PRS for a while and this delivers in spades (without being a full on copy – i.e. Silver Sky). It's the only 509 I've ever played so I don't know how it compares with others but with the slightly longer scale length, maple neck and ebony fretboard this is very bright and snappy. Exactly what I wanted.



Here's my current PRS collection, from left to right:
- Signature Limited (the limited edition model that later became the 408)
- 594 Artist with Korina body, Rosewood neck and Ebony fretboard.
- 509 Wood Library with Korina body, Maple Neck and Ebony Fretboard
- 594 Single Cut Wood Library with Rosewood Neck and Ebony Fretboard
- P245 Semi Hollow 10 Top

And here's the rest of the class of 2018. In front left to right:
- Les Paul Custom Shop Axcess
- Suhr Pro in Shoreline Gold
- Taylor T5z in Tasmanian Sassafras
With that, I think I'm sort of almost, nearly, maybe done. At least for a little while

509 Modification
Updated 23rd of April with a Mod I did before rehearsal yesterday.
Before playing PRS' I played Les Paul's almost exclusively and always had them dialled in with the neck tone on 10 (i.e. don't roll off any highs) and then the bridge tone set usually between 5-7 depending on guitar. I found it gave the guitar a very even frequency range. To mimic that on my 509 I disconnected the tone cap from the volume pot and soldered it on the 5 way switch on the bridge pickup lug. If you look at the picture below I removed the cap at the green blob and soldered it like on the blue line. What this does is that the tone knob now only works on the bridge pickup. The middle and neck are like they have the tone knob on 10 all the time. Definitely a lot more to my liking and easily reversible.

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