MA Pete and Aristotle, with as many amps as you have, I'd have fun, but I'd also go a little nuts trying to decide which one to play on what track!
Maybe 12 years ago, I had accumulated 5 Mesa combos and heads, an Egnater TOL combo, and a Bogner head. I had each head set up in the recording booth with the appropriate cab, and several mics set up at all times, ready to go. And I had a remote in the booth to operate my tape machines (I tracked with DA-88s at the time), so it was easy to arm a track and go. Just plug the pedal board into the appropriate amp and rock and roll. Except...
I could never decide on an amp. They all sounded great. Pretty much all of them worked in the context of what I was writing. So, thinking my clients could actually hear a difference (they didn't seem to be able to make any decisions like this actually), I'd track several amps, and try to decide on mixdown. This was, of course, a gigantic time waster, and I'd be up all night mixing for the next day's client presentation.
I finally gave up on this concept, got down to having two amps around (a Two-Rock and a Roccaforte that sounded kind of like a cross between Marshall and Vox), and was glad for it. The Rockie's in LA with my son lately. I figured he'd get a lot of use out of it with the style he plays. So I'm down to just the HX/DA, and I can make it work just about with anything, using the right mic or pedals, or whatever.
The odd thing is, every time I see a bunch of amps that look so tasty, as yours do, I start breathing hard, because it was fun having a lot to choose from!
Then I remember...and have to settle myself down....
