Les' Ergonomics of Studio Amps 101

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I constantly fight a battle of ergonomics over where to set up equipment for overdubs, which is mostly what I do when it comes to guitar.

In my studio work, I'm the player, the engineer, and the producer. That's a lot to do at once.

Typically I've got a guitar strapped on, headphones on, and if I have to go back and forth to an amp to adjust something, I get tangled up in cables (I need to hear my adjustments as I'm doing them through the cans, so the guitar and headphones need to be attached to me while I'm twiddling controls). I've tried wireless rigs and even wireless headphones, and they don't work for me.

On the one hand, when I'm not working and am practicing, I like the head to be near the cab. On the other hand, for recording I need to be near the other recording equipment to adjust input levels, headphone levels, outboard gear, do comps, etc. There's rarely a really good spot near the control room equipment for an amp head. And moving the amp head back and forth does get kind of old after a while, especially since I'm old.

My solution has been small roll-around carts that let me set up quickly for either practicing near the cab, or setting up near the recording gear. I've tried a zillion things, and honestly, this is the only thing that works; I can quickly roll the head over to my work area, even roll my chair over to the amp to make an adjustment, the pedals are there, too, and no tripping over wires. Here's my setup for a session I did yesterday:



Incidentally, the DG30 head is a very versatile piece of recording equipment. The fact that it's a great pedal platform, plus having a lot of tone choices in the amp itself, make it pretty easy to get good tones. It's actually a more well-rounded studio amp than anything else I've owned.

On the other hand, the HXDA is so much more badass for me as a player!
 
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Hello, welcome to Les' blog-within-a-forum, The Cricket Chronicles!

It's nice and quiet here, and we can hear ourselves think.
 
Mobility is a nice thing. Looks like you have managed to find a nice solution that keeps you functioning and inspired. I dig it.

And...

We can cart race when I visit.
 
You're missing something there Les...I don't see any candy in that dish on the desk...

I'd load that thing with candy, but my wife doesn't allow it because I'm diabetic and she claims she wants me around for a short while longer. However, this is merely to have someone to torment. ;)

I'm allowed to put candy in it when clients come over.
 
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I suppose you're wondering why I started this thread, since it has very little to do with the pictured amp, and more to do with general studio ergonomics.

The answer is, I don't know.

I am still planning to do a two-amp rolling shelf thing at some point.
 
Did I mention that the DG cabinet has an unusual amount of "swirl," even for a partly open-back cab? It's almost like there's a Leslie speaker in there sometimes. I really love that!
 
Now that sounds really cool!

It is! A chord or note has some cool modulation happening.

I saw a video of what Grissom and Sewell had to say at last year's Experience that someone caught on video, that while they were testing speakers and working on the cab's design, Grissom asked Sewell what a certain baffle was for, and Sewell simply knocked it out and they both liked the result. I'm guessing it was a stiffener of some kind that had been used in the closed-back cab. In any case, the removal of that part must allow flex in the speaker baffle now, because the result is very noticeable.

Of course a Leslie speaker has more modulation and the whole doppler thing, but for a standard speaker cab, this build has some nice acoustical movement. Also I think the ports help a listener hear it, as they're fairly large ports.

It's a strange thing, to my ears this cab suits the amp like no other, and the amp suits the cab.

The HXDA definitely needs a tighter sounding cabinet, but I'd guess this cab would also sound good with, say, a Fender Brownface Concert-Amp.
 
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I have everything piled in a corner on an Ikea desk until the "screaming room" in the basement is done. It's an exciting setup that could all be taken out with one spill of a margarita... adds an element of danger to the process.
 
Safety first Sergio!!! Best switch to those frozen Margarita's in a bag for now...
 
Ergonomics??!! What a novel concept. In fact, just finishing your music area is a novel concept. I've been so busy over the past 6 months that nothing has progressed in my Boogie cave, so it's always so refreshing to see your tranquil and professional studio area, Les. Here's what I get to stare at from my desk...
boogiecavemess.jpg
 
Safety first Sergio!!! Best switch to those frozen Margarita's in a bag for now...

Oh! You know I f@ckin' love these! They don't come with a straw though.. and they can get quite messy in more ways than one, speaking from experience.
Ergonomics??!! What a novel concept. In fact, just finishing your music area is a novel concept. I've been so busy over the past 6 months that nothing has progressed in my Boogie cave, so it's always so refreshing to see your tranquil and professional studio area, Les. Here's what I get to stare at from my desk...
boogiecavemess.jpg

Pfft! You, JFB, and I could knock that out inna weekend.
 
I just spent my construction fund on the car. *sigh* But I have a bunch of rock wool insulation that may be installed this weekend. I keep looking at your basement layout and keep getting inspired.

But the thought of you guys coming down and hanging out sounds like fun...hmm...
 
Hello, welcome to Les' blog-within-a-forum, The Cricket Chronicles!

It's nice and quiet here, and we can hear ourselves think.

If a tree falls in one of Les' threads, does it make a sound?

Just kidding, I hang out in your threads often, the trees do indeed make sound. Mostly the ones made into guitars.
 
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