Well, this is kind of embarrassing.
Before the DG Cab came a couple of weeks ago, I had sent my 408 to the PTC for some TLC. The 408 is the guitar I bought the DG30 for.
Then I sold the Artist V to help fund the McSinglecut.
When the DG Cab came, I had the Artist V for maybe a couple of days, during which I was mainly messing with studio acoustic fixes, so for all practical purposes, had only the McSinglecut to play it with as the 408 was still at the PTC.
The McSinglecut I call the Hammer of the Gods (HOTG) is a perfect match for the HXDA, an amazing, natural combination. As to the DG30, a little less so. I became forlorn, as I had forgotten all about how great the DG head sounded with the 408, even with the Mesa cab I'd been using with it. Though I am now getting great tones dialed in with the DG/HOTG combination, the HOTG's even more amazing with the HXDA.
My memory apparently hadn't embedded the aural combination of DG and 408, and it had become lost in the mists of time. And at my age, that's a whole lotta mists (as most here know, I'm nearly 800 years old).
In the meantime, the 408 was on its way home to me, and today it arrived. I fired up the DG30 head and for the first time played the 408 through both head and cab, all pedals off, and...BOOM!
This combination sounds so good I can hardly believe my ears.
If it's not perfection, it's something close. This combination is every bit as good as the HOTG/HXDA combination. It's my naked ears were tortured by the Sirens Sweetly Singing For the sparkling waves are calling me to kiss their white laced lips. It's The Natural hitting the home run and breaking the lights in the stadium.
Turns out I didn't waste all the time I spent dialing it in and working on the room acoustics! I got what I wanted with that head and cab combination!
So...what did I learn from all my angst?
Well, as we all know, horses for courses. Of course! :rock:
Doh!
Before the DG Cab came a couple of weeks ago, I had sent my 408 to the PTC for some TLC. The 408 is the guitar I bought the DG30 for.
Then I sold the Artist V to help fund the McSinglecut.
When the DG Cab came, I had the Artist V for maybe a couple of days, during which I was mainly messing with studio acoustic fixes, so for all practical purposes, had only the McSinglecut to play it with as the 408 was still at the PTC.
The McSinglecut I call the Hammer of the Gods (HOTG) is a perfect match for the HXDA, an amazing, natural combination. As to the DG30, a little less so. I became forlorn, as I had forgotten all about how great the DG head sounded with the 408, even with the Mesa cab I'd been using with it. Though I am now getting great tones dialed in with the DG/HOTG combination, the HOTG's even more amazing with the HXDA.
My memory apparently hadn't embedded the aural combination of DG and 408, and it had become lost in the mists of time. And at my age, that's a whole lotta mists (as most here know, I'm nearly 800 years old).
In the meantime, the 408 was on its way home to me, and today it arrived. I fired up the DG30 head and for the first time played the 408 through both head and cab, all pedals off, and...BOOM!
This combination sounds so good I can hardly believe my ears.
If it's not perfection, it's something close. This combination is every bit as good as the HOTG/HXDA combination. It's my naked ears were tortured by the Sirens Sweetly Singing For the sparkling waves are calling me to kiss their white laced lips. It's The Natural hitting the home run and breaking the lights in the stadium.
Turns out I didn't waste all the time I spent dialing it in and working on the room acoustics! I got what I wanted with that head and cab combination!
So...what did I learn from all my angst?
Well, as we all know, horses for courses. Of course! :rock:
Doh!
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