I Think I’m At The Point Where...

I hear you. Somehow I still feel that undeniable need to create with others. Those moments when the spark of inspiration ignites and starts a fire. Individuals all doing their thing to stoke the fire and build it into something great. I know it sounds cliche. It’s really the thing that keeps me in it. I’d prefer not to deal with all the rest of the crap that you mentioned aside from the studio aspect. Although that usually ends up hampered by time and money available. Sometimes it’s hard to compromise ones vision with those outside factors or even just the vision of others involved.

I totally get your point though, I’m right there with you.

Introverts of the world unite! Separately, alone and in the comfort of your own home
Yet you somehow deal with all of us jackasses day in and day out with with remarkable grace. :)
 
Somehow I still feel that undeniable need to create with others. Those moments when the spark of inspiration ignites and starts a fire. Individuals all doing their thing to stoke the fire and build it into something great. I know it sounds cliche. It’s really the thing that keeps me in it...
You’ve inspired me, Vaughn. :cool: That’s exactly what keeps popping up in my musical life that keeps the fire burning. You’ve inspired me so much, I’ll share something personal that I wasn’t going to publicize...

This was posted in another private forum to protect people’s privacy, so I’ll sanitize it enough to share.
———
Last month, my band had had a long period of quiet; so much so that Mike the Drummer and I needed to get something together to keep the musical muscles in shape. Mike went after a bassist that we both know and figure we could do the power trio thing during our band hiatus. Very cool!

The monster bassist wasn't available, so Mike made a visit down the street from his house to a childhood friend of his, Chris, who apparently also plays bass. "Why didn't you mention him before?" instantly came out of my mouth. Mike proceeded to explain that Chris had a hard time with keeping time - kind of essential for a bassist - but could keep up for just jamming. So we invited him over.

Before the jam day, Mike called and explained Chris' back story because he wanted me to know what to expect and allow me to gracefully back out, if I wanted. Chris had been the victim of a mugging when he was about 18. He was beaten severely, nearly killed him. It took him months to physically recover, which he did, but mentally, he still carried scars. He suffered severe brain injuries that impact much of his life. He's slow to communicate and to process normal things that we take for granted. Before the incident, he loved playing bass. After, it remained one of the few pieces of his previously normal life that he can cling to. Once I heard the story, there was no way we couldn't meet! Music is the element that brings everyone together.

We played the first time for about 2 hours and Chris was pretty nervous. Talking and joking and playing was the best way to break the ice and get him comfortable to play to his potential. So we got together the next weekend. I learned how to set the pace, give him lots of lead-in to a progression, let him follow my hands and listen to how Mike and I interacted. At first, he's a little lost at every new song, but when you listen to the recordings, he gels with us then starts to let go and do his own thing. While playing, I noticed this to a degree and had a blast, as did both of the others, but it was listening to one particular song that put a lump in my throat. This particular track is NOT about me, so try to block out my playing (trust me, it’s forgettable)...pay attention to the bass. In the beginning, it's all over the place. We quickly reviewed the progression before the recording starts, but it was maybe 60 seconds of showing him the chords and basically the rhythm. I kept it to 2 chords to make is simple and worked with a practice progression I've noodled with for a a few months. I had never played anything but the basic chords, rhythm and 2 riffs before and never with anyone else, the rest spawned from the jam.

The FULL Order Please

You can almost hear when his damaged line of thought syncs with us. He struggles with staying consistent, causing a big struggle for both Mike and myself, which is evident by the numerous rhythmic F-ups on my part. We'd lock eyes and reestablish a solid lock on 1 a few times, which is also apparent. At the time, I was pleased with everyones' teamwork but we had no idea that Chris was working so hard to play his part until we listened to the results.

The music we played aligned something between us that I never realized was possible. Earlier in my life, I worked on product research involving sound therapy for many brain-related issues, but I hadn't experienced something as complex and definitive as this. I'm stunned and amazed.
 
You’ve inspired me, Vaughn. :cool: That’s exactly what keeps popping up in my musical life that keeps the fire burning. You’ve inspired me so much, I’ll share something personal that I wasn’t going to publicize...

This was posted in another private forum to protect people’s privacy, so I’ll sanitize it enough to share.
———
Last month, my band had had a long period of quiet; so much so that Mike the Drummer and I needed to get something together to keep the musical muscles in shape. Mike went after a bassist that we both know and figure we could do the power trio thing during our band hiatus. Very cool!

The monster bassist wasn't available, so Mike made a visit down the street from his house to a childhood friend of his, Chris, who apparently also plays bass. "Why didn't you mention him before?" instantly came out of my mouth. Mike proceeded to explain that Chris had a hard time with keeping time - kind of essential for a bassist - but could keep up for just jamming. So we invited him over.

Before the jam day, Mike called and explained Chris' back story because he wanted me to know what to expect and allow me to gracefully back out, if I wanted. Chris had been the victim of a mugging when he was about 18. He was beaten severely, nearly killed him. It took him months to physically recover, which he did, but mentally, he still carried scars. He suffered severe brain injuries that impact much of his life. He's slow to communicate and to process normal things that we take for granted. Before the incident, he loved playing bass. After, it remained one of the few pieces of his previously normal life that he can cling to. Once I heard the story, there was no way we couldn't meet! Music is the element that brings everyone together.

We played the first time for about 2 hours and Chris was pretty nervous. Talking and joking and playing was the best way to break the ice and get him comfortable to play to his potential. So we got together the next weekend. I learned how to set the pace, give him lots of lead-in to a progression, let him follow my hands and listen to how Mike and I interacted. At first, he's a little lost at every new song, but when you listen to the recordings, he gels with us then starts to let go and do his own thing. While playing, I noticed this to a degree and had a blast, as did both of the others, but it was listening to one particular song that put a lump in my throat. This particular track is NOT about me, so try to block out my playing (trust me, it’s forgettable)...pay attention to the bass. In the beginning, it's all over the place. We quickly reviewed the progression before the recording starts, but it was maybe 60 seconds of showing him the chords and basically the rhythm. I kept it to 2 chords to make is simple and worked with a practice progression I've noodled with for a a few months. I had never played anything but the basic chords, rhythm and 2 riffs before and never with anyone else, the rest spawned from the jam.

The FULL Order Please

You can almost hear when his damaged line of thought syncs with us. He struggles with staying consistent, causing a big struggle for both Mike and myself, which is evident by the numerous rhythmic F-ups on my part. We'd lock eyes and reestablish a solid lock on 1 a few times, which is also apparent. At the time, I was pleased with everyones' teamwork but we had no idea that Chris was working so hard to play his part until we listened to the results.

The music we played aligned something between us that I never realized was possible. Earlier in my life, I worked on product research involving sound therapy for many brain-related issues, but I hadn't experienced something as complex and definitive as this. I'm stunned and amazed.


Really love the tune. as a recovering bassist that part sounded great to me!
 
You’ve inspired me, Vaughn. :cool: That’s exactly what keeps popping up in my musical life that keeps the fire burning. You’ve inspired me so much, I’ll share something personal that I wasn’t going to publicize...

This was posted in another private forum to protect people’s privacy, so I’ll sanitize it enough to share.
———
Last month, my band had had a long period of quiet; so much so that Mike the Drummer and I needed to get something together to keep the musical muscles in shape. Mike went after a bassist that we both know and figure we could do the power trio thing during our band hiatus. Very cool!

The monster bassist wasn't available, so Mike made a visit down the street from his house to a childhood friend of his, Chris, who apparently also plays bass. "Why didn't you mention him before?" instantly came out of my mouth. Mike proceeded to explain that Chris had a hard time with keeping time - kind of essential for a bassist - but could keep up for just jamming. So we invited him over.

Before the jam day, Mike called and explained Chris' back story because he wanted me to know what to expect and allow me to gracefully back out, if I wanted. Chris had been the victim of a mugging when he was about 18. He was beaten severely, nearly killed him. It took him months to physically recover, which he did, but mentally, he still carried scars. He suffered severe brain injuries that impact much of his life. He's slow to communicate and to process normal things that we take for granted. Before the incident, he loved playing bass. After, it remained one of the few pieces of his previously normal life that he can cling to. Once I heard the story, there was no way we couldn't meet! Music is the element that brings everyone together.

We played the first time for about 2 hours and Chris was pretty nervous. Talking and joking and playing was the best way to break the ice and get him comfortable to play to his potential. So we got together the next weekend. I learned how to set the pace, give him lots of lead-in to a progression, let him follow my hands and listen to how Mike and I interacted. At first, he's a little lost at every new song, but when you listen to the recordings, he gels with us then starts to let go and do his own thing. While playing, I noticed this to a degree and had a blast, as did both of the others, but it was listening to one particular song that put a lump in my throat. This particular track is NOT about me, so try to block out my playing (trust me, it’s forgettable)...pay attention to the bass. In the beginning, it's all over the place. We quickly reviewed the progression before the recording starts, but it was maybe 60 seconds of showing him the chords and basically the rhythm. I kept it to 2 chords to make is simple and worked with a practice progression I've noodled with for a a few months. I had never played anything but the basic chords, rhythm and 2 riffs before and never with anyone else, the rest spawned from the jam.

The FULL Order Please

You can almost hear when his damaged line of thought syncs with us. He struggles with staying consistent, causing a big struggle for both Mike and myself, which is evident by the numerous rhythmic F-ups on my part. We'd lock eyes and reestablish a solid lock on 1 a few times, which is also apparent. At the time, I was pleased with everyones' teamwork but we had no idea that Chris was working so hard to play his part until we listened to the results.

The music we played aligned something between us that I never realized was possible. Earlier in my life, I worked on product research involving sound therapy for many brain-related issues, but I hadn't experienced something as complex and definitive as this. I'm stunned and amazed.

Disappointed I can only give this one like!
 
You’ve inspired me, Vaughn. :cool: That’s exactly what keeps popping up in my musical life that keeps the fire burning. You’ve inspired me so much, I’ll share something personal that I wasn’t going to publicize...

This was posted in another private forum to protect people’s privacy, so I’ll sanitize it enough to share.
———
Last month, my band had had a long period of quiet; so much so that Mike the Drummer and I needed to get something together to keep the musical muscles in shape. Mike went after a bassist that we both know and figure we could do the power trio thing during our band hiatus. Very cool!

The monster bassist wasn't available, so Mike made a visit down the street from his house to a childhood friend of his, Chris, who apparently also plays bass. "Why didn't you mention him before?" instantly came out of my mouth. Mike proceeded to explain that Chris had a hard time with keeping time - kind of essential for a bassist - but could keep up for just jamming. So we invited him over.

Before the jam day, Mike called and explained Chris' back story because he wanted me to know what to expect and allow me to gracefully back out, if I wanted. Chris had been the victim of a mugging when he was about 18. He was beaten severely, nearly killed him. It took him months to physically recover, which he did, but mentally, he still carried scars. He suffered severe brain injuries that impact much of his life. He's slow to communicate and to process normal things that we take for granted. Before the incident, he loved playing bass. After, it remained one of the few pieces of his previously normal life that he can cling to. Once I heard the story, there was no way we couldn't meet! Music is the element that brings everyone together.

We played the first time for about 2 hours and Chris was pretty nervous. Talking and joking and playing was the best way to break the ice and get him comfortable to play to his potential. So we got together the next weekend. I learned how to set the pace, give him lots of lead-in to a progression, let him follow my hands and listen to how Mike and I interacted. At first, he's a little lost at every new song, but when you listen to the recordings, he gels with us then starts to let go and do his own thing. While playing, I noticed this to a degree and had a blast, as did both of the others, but it was listening to one particular song that put a lump in my throat. This particular track is NOT about me, so try to block out my playing (trust me, it’s forgettable)...pay attention to the bass. In the beginning, it's all over the place. We quickly reviewed the progression before the recording starts, but it was maybe 60 seconds of showing him the chords and basically the rhythm. I kept it to 2 chords to make is simple and worked with a practice progression I've noodled with for a a few months. I had never played anything but the basic chords, rhythm and 2 riffs before and never with anyone else, the rest spawned from the jam.

The FULL Order Please

You can almost hear when his damaged line of thought syncs with us. He struggles with staying consistent, causing a big struggle for both Mike and myself, which is evident by the numerous rhythmic F-ups on my part. We'd lock eyes and reestablish a solid lock on 1 a few times, which is also apparent. At the time, I was pleased with everyones' teamwork but we had no idea that Chris was working so hard to play his part until we listened to the results.

The music we played aligned something between us that I never realized was possible. Earlier in my life, I worked on product research involving sound therapy for many brain-related issues, but I hadn't experienced something as complex and definitive as this. I'm stunned and amazed.
That’s awesome. Sounds super cool. Great tones too. That’s what it’s all about. Sometimes with us, I find that our rehearsal recordings at the beginning of the process can be more fun to listen to. There’s more tension, everyone exploring, etc. Cool stuff happens that never makes the final cut.
 
You’ve inspired me, Vaughn. :cool: That’s exactly what keeps popping up in my musical life that keeps the fire burning. You’ve inspired me so much, I’ll share something personal that I wasn’t going to publicize...

This was posted in another private forum to protect people’s privacy, so I’ll sanitize it enough to share.
———
Last month, my band had had a long period of quiet; so much so that Mike the Drummer and I needed to get something together to keep the musical muscles in shape. Mike went after a bassist that we both know and figure we could do the power trio thing during our band hiatus. Very cool!

The monster bassist wasn't available, so Mike made a visit down the street from his house to a childhood friend of his, Chris, who apparently also plays bass. "Why didn't you mention him before?" instantly came out of my mouth. Mike proceeded to explain that Chris had a hard time with keeping time - kind of essential for a bassist - but could keep up for just jamming. So we invited him over.

Before the jam day, Mike called and explained Chris' back story because he wanted me to know what to expect and allow me to gracefully back out, if I wanted. Chris had been the victim of a mugging when he was about 18. He was beaten severely, nearly killed him. It took him months to physically recover, which he did, but mentally, he still carried scars. He suffered severe brain injuries that impact much of his life. He's slow to communicate and to process normal things that we take for granted. Before the incident, he loved playing bass. After, it remained one of the few pieces of his previously normal life that he can cling to. Once I heard the story, there was no way we couldn't meet! Music is the element that brings everyone together.

We played the first time for about 2 hours and Chris was pretty nervous. Talking and joking and playing was the best way to break the ice and get him comfortable to play to his potential. So we got together the next weekend. I learned how to set the pace, give him lots of lead-in to a progression, let him follow my hands and listen to how Mike and I interacted. At first, he's a little lost at every new song, but when you listen to the recordings, he gels with us then starts to let go and do his own thing. While playing, I noticed this to a degree and had a blast, as did both of the others, but it was listening to one particular song that put a lump in my throat. This particular track is NOT about me, so try to block out my playing (trust me, it’s forgettable)...pay attention to the bass. In the beginning, it's all over the place. We quickly reviewed the progression before the recording starts, but it was maybe 60 seconds of showing him the chords and basically the rhythm. I kept it to 2 chords to make is simple and worked with a practice progression I've noodled with for a a few months. I had never played anything but the basic chords, rhythm and 2 riffs before and never with anyone else, the rest spawned from the jam.

The FULL Order Please

You can almost hear when his damaged line of thought syncs with us. He struggles with staying consistent, causing a big struggle for both Mike and myself, which is evident by the numerous rhythmic F-ups on my part. We'd lock eyes and reestablish a solid lock on 1 a few times, which is also apparent. At the time, I was pleased with everyones' teamwork but we had no idea that Chris was working so hard to play his part until we listened to the results.

The music we played aligned something between us that I never realized was possible. Earlier in my life, I worked on product research involving sound therapy for many brain-related issues, but I hadn't experienced something as complex and definitive as this. I'm stunned and amazed.


I'm transported to a wood paneled basement in the 70's, wearing dungarees, smoking a joint, and making out with a woman with a big mound of pubic hair under some black light posters while listening to that.

.... but in a good way, if you know what I mean.
 
I'm transported to a wood paneled basement in the 70's, wearing dungarees, smoking a joint, and making out with a woman with a big mound of pubic hair under some black light posters while listening to that.

.... but in a good way, if you know what I mean.
Is the panel fake wood? It was always fake in basements I visited.
 
I hear you. Somehow I still feel that undeniable need to create with others. Those moments when the spark of inspiration ignites and starts a fire. Individuals all doing their thing to stoke the fire and build it into something great. I know it sounds cliche. It’s really the thing that keeps me in it. I’d prefer not to deal with all the rest of the crap that you mentioned aside from the studio aspect. Although that usually ends up hampered by time and money available. Sometimes it’s hard to compromise ones vision with those outside factors or even just the vision of others involved.

I totally get your point though, I’m right there with you.


I feel where you're coming from too. Playing and creating is such a huge part of who I am that I can't live without it, I don't think... Hell, I've never tried. I've been grinding since I was seventeen so...

I'm pretty sure I'm just pissy because I haven't played loud guitar in like, three or four weeks.
 
Yeah, like Masonite with a top layer of shiny wood sticker. And the sofa smells like bong water and teenager.
We had the real stuff in my parents’ basement, no Masonite. The sofa was a sleeper that had belonged to my grandmother...had that infamous bar-in-your-back bed where it folds, so you’d end up in traction if you used it for reindeer games. It smelled like old people...moth balls/naphthalene. If someone had spilled a bong on it, my body still would be missing. College, now that’s a completely different story and set of smells.
 
You’ve inspired me, Vaughn. :cool: That’s exactly what keeps popping up in my musical life that keeps the fire burning. You’ve inspired me so much, I’ll share something personal that I wasn’t going to publicize...

This was posted in another private forum to protect people’s privacy, so I’ll sanitize it enough to share.
———
Last month, my band had had a long period of quiet; so much so that Mike the Drummer and I needed to get something together to keep the musical muscles in shape. Mike went after a bassist that we both know and figure we could do the power trio thing during our band hiatus. Very cool!

The monster bassist wasn't available, so Mike made a visit down the street from his house to a childhood friend of his, Chris, who apparently also plays bass. "Why didn't you mention him before?" instantly came out of my mouth. Mike proceeded to explain that Chris had a hard time with keeping time - kind of essential for a bassist - but could keep up for just jamming. So we invited him over.

Before the jam day, Mike called and explained Chris' back story because he wanted me to know what to expect and allow me to gracefully back out, if I wanted. Chris had been the victim of a mugging when he was about 18. He was beaten severely, nearly killed him. It took him months to physically recover, which he did, but mentally, he still carried scars. He suffered severe brain injuries that impact much of his life. He's slow to communicate and to process normal things that we take for granted. Before the incident, he loved playing bass. After, it remained one of the few pieces of his previously normal life that he can cling to. Once I heard the story, there was no way we couldn't meet! Music is the element that brings everyone together.

We played the first time for about 2 hours and Chris was pretty nervous. Talking and joking and playing was the best way to break the ice and get him comfortable to play to his potential. So we got together the next weekend. I learned how to set the pace, give him lots of lead-in to a progression, let him follow my hands and listen to how Mike and I interacted. At first, he's a little lost at every new song, but when you listen to the recordings, he gels with us then starts to let go and do his own thing. While playing, I noticed this to a degree and had a blast, as did both of the others, but it was listening to one particular song that put a lump in my throat. This particular track is NOT about me, so try to block out my playing (trust me, it’s forgettable)...pay attention to the bass. In the beginning, it's all over the place. We quickly reviewed the progression before the recording starts, but it was maybe 60 seconds of showing him the chords and basically the rhythm. I kept it to 2 chords to make is simple and worked with a practice progression I've noodled with for a a few months. I had never played anything but the basic chords, rhythm and 2 riffs before and never with anyone else, the rest spawned from the jam.

The FULL Order Please

You can almost hear when his damaged line of thought syncs with us. He struggles with staying consistent, causing a big struggle for both Mike and myself, which is evident by the numerous rhythmic F-ups on my part. We'd lock eyes and reestablish a solid lock on 1 a few times, which is also apparent. At the time, I was pleased with everyones' teamwork but we had no idea that Chris was working so hard to play his part until we listened to the results.

The music we played aligned something between us that I never realized was possible. Earlier in my life, I worked on product research involving sound therapy for many brain-related issues, but I hadn't experienced something as complex and definitive as this. I'm stunned and amazed.

What a great simple groove to jam over. I might rip that to MP3 and just do that, with your permission, or course.
 
You’ve inspired me, Vaughn. :cool: That’s exactly what keeps popping up in my musical life that keeps the fire burning. You’ve inspired me so much, I’ll share something personal that I wasn’t going to publicize...

This was posted in another private forum to protect people’s privacy, so I’ll sanitize it enough to share.
———
Last month, my band had had a long period of quiet; so much so that Mike the Drummer and I needed to get something together to keep the musical muscles in shape. Mike went after a bassist that we both know and figure we could do the power trio thing during our band hiatus. Very cool!

The monster bassist wasn't available, so Mike made a visit down the street from his house to a childhood friend of his, Chris, who apparently also plays bass. "Why didn't you mention him before?" instantly came out of my mouth. Mike proceeded to explain that Chris had a hard time with keeping time - kind of essential for a bassist - but could keep up for just jamming. So we invited him over.

Before the jam day, Mike called and explained Chris' back story because he wanted me to know what to expect and allow me to gracefully back out, if I wanted. Chris had been the victim of a mugging when he was about 18. He was beaten severely, nearly killed him. It took him months to physically recover, which he did, but mentally, he still carried scars. He suffered severe brain injuries that impact much of his life. He's slow to communicate and to process normal things that we take for granted. Before the incident, he loved playing bass. After, it remained one of the few pieces of his previously normal life that he can cling to. Once I heard the story, there was no way we couldn't meet! Music is the element that brings everyone together.

We played the first time for about 2 hours and Chris was pretty nervous. Talking and joking and playing was the best way to break the ice and get him comfortable to play to his potential. So we got together the next weekend. I learned how to set the pace, give him lots of lead-in to a progression, let him follow my hands and listen to how Mike and I interacted. At first, he's a little lost at every new song, but when you listen to the recordings, he gels with us then starts to let go and do his own thing. While playing, I noticed this to a degree and had a blast, as did both of the others, but it was listening to one particular song that put a lump in my throat. This particular track is NOT about me, so try to block out my playing (trust me, it’s forgettable)...pay attention to the bass. In the beginning, it's all over the place. We quickly reviewed the progression before the recording starts, but it was maybe 60 seconds of showing him the chords and basically the rhythm. I kept it to 2 chords to make is simple and worked with a practice progression I've noodled with for a a few months. I had never played anything but the basic chords, rhythm and 2 riffs before and never with anyone else, the rest spawned from the jam.

The FULL Order Please

You can almost hear when his damaged line of thought syncs with us. He struggles with staying consistent, causing a big struggle for both Mike and myself, which is evident by the numerous rhythmic F-ups on my part. We'd lock eyes and reestablish a solid lock on 1 a few times, which is also apparent. At the time, I was pleased with everyones' teamwork but we had no idea that Chris was working so hard to play his part until we listened to the results.

The music we played aligned something between us that I never realized was possible. Earlier in my life, I worked on product research involving sound therapy for many brain-related issues, but I hadn't experienced something as complex and definitive as this. I'm stunned and amazed.

You're a good man, Boogie. Thanks for sharing.
 
I'm transported to a wood paneled basement in the 70's, wearing dungarees, smoking a joint, and making out with a woman with a big mound of pubic hair under some black light posters while listening to that.

.... but in a good way, if you know what I mean.

This! So much this! As a matter of fact, I was in "that basement" yesterday. First time in maybe 20 years, seeing a buddy I hadn't seen in 30. This could have been the soundtrack to our conversation.
 
You’ve inspired me, Vaughn. :cool: That’s exactly what keeps popping up in my musical life that keeps the fire burning. You’ve inspired me so much, I’ll share something personal that I wasn’t going to publicize...

This was posted in another private forum to protect people’s privacy, so I’ll sanitize it enough to share.
———
Last month, my band had had a long period of quiet; so much so that Mike the Drummer and I needed to get something together to keep the musical muscles in shape. Mike went after a bassist that we both know and figure we could do the power trio thing during our band hiatus. Very cool!

The monster bassist wasn't available, so Mike made a visit down the street from his house to a childhood friend of his, Chris, who apparently also plays bass. "Why didn't you mention him before?" instantly came out of my mouth. Mike proceeded to explain that Chris had a hard time with keeping time - kind of essential for a bassist - but could keep up for just jamming. So we invited him over.

Before the jam day, Mike called and explained Chris' back story because he wanted me to know what to expect and allow me to gracefully back out, if I wanted. Chris had been the victim of a mugging when he was about 18. He was beaten severely, nearly killed him. It took him months to physically recover, which he did, but mentally, he still carried scars. He suffered severe brain injuries that impact much of his life. He's slow to communicate and to process normal things that we take for granted. Before the incident, he loved playing bass. After, it remained one of the few pieces of his previously normal life that he can cling to. Once I heard the story, there was no way we couldn't meet! Music is the element that brings everyone together.

We played the first time for about 2 hours and Chris was pretty nervous. Talking and joking and playing was the best way to break the ice and get him comfortable to play to his potential. So we got together the next weekend. I learned how to set the pace, give him lots of lead-in to a progression, let him follow my hands and listen to how Mike and I interacted. At first, he's a little lost at every new song, but when you listen to the recordings, he gels with us then starts to let go and do his own thing. While playing, I noticed this to a degree and had a blast, as did both of the others, but it was listening to one particular song that put a lump in my throat. This particular track is NOT about me, so try to block out my playing (trust me, it’s forgettable)...pay attention to the bass. In the beginning, it's all over the place. We quickly reviewed the progression before the recording starts, but it was maybe 60 seconds of showing him the chords and basically the rhythm. I kept it to 2 chords to make is simple and worked with a practice progression I've noodled with for a a few months. I had never played anything but the basic chords, rhythm and 2 riffs before and never with anyone else, the rest spawned from the jam.

The FULL Order Please

You can almost hear when his damaged line of thought syncs with us. He struggles with staying consistent, causing a big struggle for both Mike and myself, which is evident by the numerous rhythmic F-ups on my part. We'd lock eyes and reestablish a solid lock on 1 a few times, which is also apparent. At the time, I was pleased with everyones' teamwork but we had no idea that Chris was working so hard to play his part until we listened to the results.

The music we played aligned something between us that I never realized was possible. Earlier in my life, I worked on product research involving sound therapy for many brain-related issues, but I hadn't experienced something as complex and definitive as this. I'm stunned and amazed.

Oh yeah, frickin' cool tune!
 
You’ve inspired me, Vaughn. :cool: That’s exactly what keeps popping up in my musical life that keeps the fire burning. You’ve inspired me so much, I’ll share something personal that I wasn’t going to publicize...

This was posted in another private forum to protect people’s privacy, so I’ll sanitize it enough to share.
———
Last month, my band had had a long period of quiet; so much so that Mike the Drummer and I needed to get something together to keep the musical muscles in shape. Mike went after a bassist that we both know and figure we could do the power trio thing during our band hiatus. Very cool!

The monster bassist wasn't available, so Mike made a visit down the street from his house to a childhood friend of his, Chris, who apparently also plays bass. "Why didn't you mention him before?" instantly came out of my mouth. Mike proceeded to explain that Chris had a hard time with keeping time - kind of essential for a bassist - but could keep up for just jamming. So we invited him over.

Before the jam day, Mike called and explained Chris' back story because he wanted me to know what to expect and allow me to gracefully back out, if I wanted. Chris had been the victim of a mugging when he was about 18. He was beaten severely, nearly killed him. It took him months to physically recover, which he did, but mentally, he still carried scars. He suffered severe brain injuries that impact much of his life. He's slow to communicate and to process normal things that we take for granted. Before the incident, he loved playing bass. After, it remained one of the few pieces of his previously normal life that he can cling to. Once I heard the story, there was no way we couldn't meet! Music is the element that brings everyone together.

We played the first time for about 2 hours and Chris was pretty nervous. Talking and joking and playing was the best way to break the ice and get him comfortable to play to his potential. So we got together the next weekend. I learned how to set the pace, give him lots of lead-in to a progression, let him follow my hands and listen to how Mike and I interacted. At first, he's a little lost at every new song, but when you listen to the recordings, he gels with us then starts to let go and do his own thing. While playing, I noticed this to a degree and had a blast, as did both of the others, but it was listening to one particular song that put a lump in my throat. This particular track is NOT about me, so try to block out my playing (trust me, it’s forgettable)...pay attention to the bass. In the beginning, it's all over the place. We quickly reviewed the progression before the recording starts, but it was maybe 60 seconds of showing him the chords and basically the rhythm. I kept it to 2 chords to make is simple and worked with a practice progression I've noodled with for a a few months. I had never played anything but the basic chords, rhythm and 2 riffs before and never with anyone else, the rest spawned from the jam.

The FULL Order Please

You can almost hear when his damaged line of thought syncs with us. He struggles with staying consistent, causing a big struggle for both Mike and myself, which is evident by the numerous rhythmic F-ups on my part. We'd lock eyes and reestablish a solid lock on 1 a few times, which is also apparent. At the time, I was pleased with everyones' teamwork but we had no idea that Chris was working so hard to play his part until we listened to the results.

The music we played aligned something between us that I never realized was possible. Earlier in my life, I worked on product research involving sound therapy for many brain-related issues, but I hadn't experienced something as complex and definitive as this. I'm stunned and amazed.

Somehow I missed this post!

A. Cool and interesting story.
B. Loved the tune, and your playing.
 
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