LOVE the amp room, great amount of space to move in. .
Thanks! The other side of the room is my workstation/composing area.
LOVE the amp room, great amount of space to move in. .
I love the clean and open look. My music area is stacked so full of stuff that I am tripping over something no matter which way I step sometimes! I really need to re-work this space, and this is an inspiration.Thanks! The other side of the room is my workstation/composing area.
I love the clean and open look. My music area is stacked so full of stuff that I am tripping over something no matter which way I step sometimes! I really need to re-work this space, and this is an inspiration.
I was checking the readings on the power tubes... one is showing about 30.3, the other about 26.2 which means I'll have to get out a calculator and see what percentage off that is. Been a while. I've got one of those Eurotube meters to get the plate current and volts inline without popping the amp chassis out... a project for tomorrow if the storms aren't landing here this week. Waiting on the 10 pm advisory. Love the coast, except this part!
Speaking of “keeping the manual for the multimeter with the meter” I keep the instructions for the Eurotube Pro 1 wrapped around the unit with a rubber band! All the math for calculations, along with a tube chart for wattages, are on it. You just remove a tube, put the device into the tube socket, plug the tube into the back of the device plug (They “stack” in the tube socket) and fire the amp up. Because it’s inline, it reads the exact voltages and current the tube is seeing. Pretty cool, really, and you can play with it in there so you can see what effect that has on the tube. Plus, I’m not sticking my fingers into places with hundreds of volts of electricity waiting to bite them. The one I normally use has the meter one it, but I also have one that plugs into your own multimeter. They don’t get tons of use, but whenever I swap power tubes it’s good to know they’re set right!Thanks! The space is a lot less "basement studio" looking with the lights dimmed. It's basically a good sounding space, and it's laid out pretty well for my work. Needs new flooring and a few details.
Re: biasing, I just use the bias points and adjustment screw on the rear of the amp with my multimeter, because my technical skills doing anything else are utterly nonexistent. In fact, I'm so electrical engineering-challenged that I have to keep the manual for the multimeter with the meter so I can remind myself how to actually use it.
Using a Eurotube meter would be a good idea if I actually knew how to interpret the additional information in the readouts!
By the way, their tube damper rings saved my Lone Star from hitting Reverb. Completely solved the rattle I was getting with the power tubes hanging right over the speakers on a 100 Watt amp. Good company to deal with.
This what I recall setting mine to, when I had it.I think mine are biased to about 30.
Sunday Amp Discovery:
I have an Xotic EP Boost on the way, as lots of people love the Echoplex pre-boost it emulates. The Secret Preamp is a more elaborate Echoplex preamp recreation, and has all three versions of the Echoplex preamps. I'm tempted to just leave this one on all the time, it sounds so good, clean or distorted. I forgot how much I liked it! I will be curious to see how the EP Boost compares. Also began testing a few delay and verb pedals, and early indications are that this amp is a great pedal platform.
Thanks, Les. I am thankful for you, @bodia, @Tahlee, @MA Pete, and others sharing your insights and experiences with this amp. Pete’s Windy City post and your recordings that were on Soundcloud at the time were a big part of what put me on the trail of the HXDA to begin with!I love my amp with the Fulltone Tube Tape Echo. I'm sure it'd sound great with the solid state version as well. Echoplex front end into a Plexi is a classic thing.
Also, I use mine with other pedals, and you bet, it's a great match for pedals (if they're good sounding pedals in the first place).
I'm not an effects loop person; my favorite guitar tones have always been generated by players using effects in front of the amp, including delays. The signal gets cooked nicely, and becomes more organic, unless you're going high gain, where a loop seems to make more sense.
Happy to help! Even happier to hear how much you like it.Thanks, Les. I am thankful for you, @bodia, @Tahlee, @MA Pete, and others sharing your insights and experiences with this amp. Pete’s Windy City post and your recordings that were on Soundcloud at the time were a big part of what put me on the trail of the HXDA to begin with!
Once you find your way around the controls, it’s surprising how fast you can dial in adjustments. It’s really cool how you can change the low and high end focus with just the two gain controls... never touching the EQ section. That has been really handy, making it very easy to return to your basic setup. I can’t imagine why these aren’t better known and more highly regarded.
The EP just came in this morning. I like it! Set to it's default it is clean and doesn't stomp all over the tone. I didn't expect it, but i can see using it and the Chase Tone preamp together, something I will likely try later tonight. I'm having a blast with it.I’m really happy that you bought the Xotic EP, Rick. I leave mine on all the time for a foundation of my dirty tone, and then I build upon that. I hope you love it.
You’re welcome. It’s really fun helping each other out.
Once you find your way around the controls, it’s surprising how fast you can dial in adjustments. It’s really cool how you can change the low and high end focus with just the two gain controls... never touching the EQ section. That has been really handy, making it very easy to return to your basic setup. I can’t imagine why these aren’t better known and more highly regarded.
Beats me why more people didn't get one. Speaking only for myself, YMMV, it's the best sounding amp I've ever owned. That would include a lot of very highly regarded amps, by the way, many of them more costly than the HXDA. But everyone's needs are different, and these days high gain and two channels are more of a thing.
Mine's been my #1 amp since I got it in 2014 - I just love it. I thought about buying a backup just in case, but it's been bulletproof, so I picked up the DG30 instead of a second HXDA. And that's yet another great amp, but with a different voice altogether.
You have it exactly right when you say the HXDA is a breeze to dial in, and how useful the two gain controls are. One of my session player friends, who's also a fantastic producer in his own right, gave a pretty apt description:
"What I like about it is that you can hear the guitar, and yet you can also hear the distortion when you want dirt. But the distortion works with the guitar, it doesn't obliterate the guitar's tone."
I think that's kinda spot on. I like to say that the distortion the amp puts out is more like a halo of harmonics around the note, but you can still hear the guitar. And that's pretty darn consistent with the Plexis I played through in the late '60s. The fact that I can dial Duane's "Live at the Fillmore" tone right up in a few seconds, but then switch to something more my style with delays and modulation, without skipping a beat, is something ya can't put a price on!
“I will gladly pay you Tuesday, for a matched pairs of Siemens EL34s today!” - J. Wellington WimpyI thought about getting another HXDA but I’d like to try the DG30. I have one arriving on Thursday. I will be reaching out to Les for his opinions. He made me start looking at nos tubes and my wallet doesn’t like them at all. But, I’m considering them since they last for a long time and I am a tone junkie.
Since my 25th doesn’t have those HX/DA toggle switches, I will need to get one at some point. “Need”. I crack myself up. I really appreciate that my wife doesn’t hassle me about my needs. Wink. Wink.
“I will gladly pay you Tuesday, for a matched pairs of Siemens EL34s today!” - J. Wellington Wimpy
I’m going to have to learn what a “real” Siemens EL34 looks like! I’d hate to get burned at that price point. I noticed several Mesa/Boogie tube sets out there that say they are Mesa branded, Siemens A-Grade tubes. I used to see the at Tubestore.com, but no dice. I’ll check Watford in the UK, they helped me stock up on Wnged C tubes.
Any combo that does Leslie West is stellar.Discovery of the day: The HXDA through a 2x12 greenback cab, with a 594 Soapbar gets some pretty damn authentic sounding ZZ Top and Leslie West kind of tones! It’s a bit looser, more springy/woody sound, and it kicks ass on songs like Just Got Paid or The Beer Drinkers & Hell Raisers solo.
Next up... the 72 SG.
How many pairs of Winged C is stocking up? I bought one extra pair, but I want more just to be safe. I really just want something to base my freakishness off. Hahaha. If you bought four pairs, I won’t feel silly buying a few more.
Yes, great insights and descriptions all around. Funny you mentioned thinking of getting a second one. I thought the same thing today... grab one while they can still be found. I felt the same when Alan Phillips stopped making Carol-Ann amps. If I was rolling in cash, I probably would, but this amp appears to be very solidly made, as does the Tucana 3. Huge transformers, too! I'm betting it will be around as long as it's foundational amps.
Oh, fear not... you're fine.
That's in addition to all the tubes in the 11 other tube amps in that room. If anyone has gone far overboard, it's me. About 20 of the NOS tubes on the shelf are Winged C/SED/Svetlana originals. I've got more rectifier tubes than three people would use in a lifetime. It's crazy. I know. Oh, and I did find a pair of Siemens branded EL34s in the box... on the way. Like I needed more.