Rod/
Vibrato & String Bender
Cool. You could have 2 the same color, and the little woman wouldn’t know.."Damn! It looks just like mine!"
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Cool. You could have 2 the same color, and the little woman wouldn’t know.."Damn! It looks just like mine!"
Let’s not all act like we haven’t done that before…Cool. You could have 2, and the little woman wouldn’t know.. just kidding….
Honey! I found that troll you misplaced!I've found SEs look the part, but have that "dipped in thick plastic" tone and feel, sort of like epiphone. And of course the fretboard prep and fretwork is standard import crapshoot, unlike USA prs where the majority are excellent.
I've found SEs look the part, but have that "dipped in thick plastic" tone and feel, sort of like epiphone. And of course the fretboard prep and fretwork is standard import crapshoot, unlike USA prs where the majority are excellent.
Looks like I gotta place a call to the elitist police again.
I couldn’t disagree with you more… I’ll leave it at that….I've found SEs look the part, but have that "dipped in thick plastic" tone and feel, sort of like epiphone. And of course the fretboard prep and fretwork is standard import crapshoot, unlike USA prs where the majority are excellent.
I love my SE245.
Finish is way above some US (not PRS) that I’ve owned in the past.
If I had this guitar as an 18 year old, with my pops in law’s Blackstar HT5R amp I would be set.
The young of today don’t know how lucky they are.
I started with a Squier Strat. That thing looked so cool, black with a chrome pickguard, but the action was telephone pole wire high, and anything that was metal on it had oxidized. To make things worse, since I was on an SRV kick back them, I strung it with 13's in standard tuning.Ain't that the truth. I still remember trying to do all kinds of things to my Hondo II LP copy to try to make it more playable. It's still floating around my parents' house - I'm sure someday I'll lay hands on it again, remember how high the action was, and try to adjust it again.
I want it on a level that is admittedly irrational...
It wants you to want it.Cheap Trick, right?
SE DGT?! Oh, I'm excited for this. I might spring for it.
Oh yes, erm...
Looks like I gotta place a call to the elitist police again.
So...being a barnyard luthier, I've worked on a few guitars in my time. $100 guitar shaped things, Gibson's, SEs, Chinese, USAese, Mexicanese, East LAese...etc. SEs can vary a bit in quality here and there, but they are consistently above average. The fretwork on my Paul's SE was near flawless out of the box, and they feel good to play on. I did do a little spot leveling and polished the snot outta them, but that's just me being anal. It plays better than any Gibson I've compared it to, and can hang with some US made PRS geetars I've demoed.Not elitist, honest. Every time I pick up an SE, the first thing that strikes me is the super thick plastic finish. Sound matches that... the wood just doesn't resonate well under all that. Then I look at fretwork, which has consistently been in the hit/miss category, miss quite a bit more often.
Only one I ever found where I felt the tone and fretwork were acceptable was a semi hollow, some signature model, but the neck was too big or I might have bought it.
They can look really good and be quite pretty, but tonally and quality wise, a satin s2 kicks the crap out of them.
Seriously. I’ll always love my Epi LP because it was my first electric, but…the SE’s are orders of magnitude better. I can’t imagine how different things would’ve been if teenage me could’ve heard what a guitar sounds like when it plays in tune above the third fret.I love my SE245.
Finish is way above some US (not PRS) that I’ve owned in the past.
If I had this guitar as an 18 year old, with my pops in law’s Blackstar HT5R amp I would be set.
The young of today don’t know how lucky they are.