Actually this thread touches on a very important subject, that is how electric guitars are viewed, the paradigm for electric guitars.
I believe the subject effect is why when you tap on the body, you hear an almost EXACT copy of the acoustic tapping sound coming out of the amplifier. It’s certainly not some warped version coming off the amp, in some electromagnetic language that only a pickup would understand. In a blind fold situation, anyone could plausibly guess that it sounds like wood being tapped. Isn’t it amazing how accurately the pickups translate this? Electromagnetism is so alien to wood, yet it comes out almost perfectly reproduced.
When you play an electric unplugged, why do some guitars sound woody and full of character, yet others sound thin and lifeless? Where is that woody sound coming from? Is it plausible the body is beating the air to such an extent that you can hear the woody tone so clearly in your ears? Maybe so for an acoustic guitar, but solid heavy wood blocks moving air to that magnitude on account of the minuscule energy in a thin metal string?
Therefore I believe it’s the string itself that is causing that woody tone. It’s the string itself whose vibration has been influenced by the vibration of the neck (and perhaps bridge to a much smaller extent). The string vibrates the air, and the air vibration reaches our ears.
That’s also why I believe acoustic tone is the first and foremost barometer of a great electric guitar.
All this will get sensed by the pickups, because it’s the string itself that is behaving in a spooky part-metal part-wood manner, so to speak, plus the body vibrating the pickups directly.
The subject effect is what makes a guitar a guitar. Pickups play their role as sensors and translators. But which is more important: Adele herself or the ultra high-end microphone she uses? You could say both play a part in the final sound, but really which is more meaningful authentic and indispensable? Would you prefer an average vocalist with an Everyman voice paired with space-age electronics? Or a top notch vocalist with unique timbre paired with basic electronics (think 1960’s hit records).
You could post modulate pitching, sustain and all that. But can you ever replicate Steve Perry’s timbre with electronics?