If you just think about him in today's context, compared to everyone who's come since, I can understand that. But if you think of him in the context of the early and mid 60s and think about what guitar music was like then, and think about what he managed to popularize that nobody else had brought to a vast white audience before, it makes a LOT more sense. I mean, if you listen to the Beano album with Mayall in the context of ANYTHING that had been widely heard before that, it was pretty mind-blowing. And then Cream was the first of the great power-trios as well. Nobody was reaching any sort of audience with that stuff when he did it, and then everyone was doing it. I mean, he paled next to Hendrix, but so does everyone, and he knew it better than most. But Clapton kicked a lot of that stuff off...
-Ray
If you just think about him in today's context, compared to everyone who's come since, I can understand that. But if you think of him in the context of the early and mid 60s and think about what guitar music was like then, and think about what he managed to popularize that nobody else had brought to a vast white audience before, it makes a LOT more sense. I mean, if you listen to the Beano album with Mayall in the context of ANYTHING that had been widely heard before that, it was pretty mind-blowing. And then Cream was the first of the great power-trios as well. Nobody was reaching any sort of audience with that stuff when he did it, and then everyone was doing it. I mean, he paled next to Hendrix, but so does everyone, and he knew it better than most. But Clapton kicked a lot of that stuff off...
-Ray
Well, when this thread popped up the VERY FIRST guitar player that came to mind was Zakk Wylde. Why? Because at the Experience Hendrix concert here in Austin on September 30, 2014 at the Moody Theater/ACL, he completely, totally and utterly ruined Fire and Maniac Depression by massively overplaying. It was awful, terrible and the worst. You never forget this type of performance, ever. He's at the top of my list since then...
I’m not sure I see that. I mean, Clapton started off being a real guitar hero, maybe the FIRST real guitar hero, as we think of the term today. And then at some point, in the mid/late 70s, resorted to trying to make pop albums, with mixed success. And then went back and forth between blues and poppier stuff into old age.Totally agree. As a matter of fact, I think John Mayer is today's Eric Clapton. They can both rip on guitar, but choose to write "pop" songs. Perhaps pop is the wrong term, but I think you all know what I mean. They write and release below their technical level, and the level that we all wish they would!
I’m fine with the folks who put their asses on the line and perform professionally.
But I think you’re all meh.
My thought was...I feel pretty meh whenever I listen to recordings of myself...but everyone else mentioned on this thread is FANTASTIC...I would sacrifice a paired organ or two to be able to play near as well as any of them. I may not be a huge fan of all of their music/genres, or listen to them all that often, but there is no denying their exceptional talents.
Phil Collen of Def Leppard. Put on a g*ddamed shirt!
Yngwie=sausage finger wanking.
I’d rather hear Phillis Diller play guitar than those two.
Sorry...needed that off my chest.
+1My thought was...I feel pretty meh whenever I listen to recordings of myself...but everyone else mentioned on this thread is FANTASTIC...I would sacrifice a paired organ or two to be able to play near as well as any of them. I may not be a huge fan of all of their music/genres, or listen to them all that often, but there is no denying their exceptional talents.
I bet both Clapton and Hendrix would have said “Muddy Waters.”Good points, Ray. I remember in high school my good buddy and I used to argue all the time about the true “guitar god.” He’d say “Clapton,” and I’d answer “Hendrix.” Ah, the good ‘ol daze.