While I agree with your post, my perspective has changed over the years. When I first came to the forum and said how much I didn't like "guitar collectors" who didn't even play guitar, I was sternly reprimanded. My perspective was, guitars collected as "art" were a waste of an instrument that deserved to be planed and used to make music. I was told that A) anyone who has the means, can buy and collect any kind of art that they want too. So that rare impossible to find model that I think might be my grail that some guy in Japan has 3 of... that's my problem, not his. And B) it was noted that during some lean years, it may have been those high end "collectors" that allowed PRS to survive as a company. And if true, that alone trumps everything else.