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you love graphtec, you are they boy.Woof!
Since @LSchefman os liking my post from almost ten years ago, I should clarify and say that I do not put them on every guitar anymore.
you love graphtec, you are they boy.Woof!
Since @LSchefman os liking my post from almost ten years ago, I should clarify and say that I do not put them on every guitar anymore.
I replaced the stock saddles on my CU22 tremolo bridge with GraphTech. The guitar is set up professionally but it seems when the saddles are lowered as much as can be the action is higher than with stock saddles. Do they ride higher than usual? I like to use my trem in both directions so I don’t wish to lower the 6 bridge height screws to compensate. Any suggestions or does anyone have a similar situation after switching to GraphTech? Thanks!
I still have three PRS with those saddles.you love graphtec, you are they boy.
i get that, it was maybe years ago you said i’d get soup with an aftermarket bridge that came on a custom 22.I still have three PRS with those saddles.
They’re on my more “metal” guitars, and the cut some of the “zing” off the top end which I found less desirable with high gain.
Hey! I rarely turn down soup.i get that, it was maybe years ago you said i’d get soup with an aftermarket bridge that came on a custom 22.
once i was stuck in olympia wa and had tom kha five days straight.Hey! I rarely turn down soup.
Why? I'd be interested to hear your thoughts now vs. then. I had tinkered with the idea of making the Mira into an "A/E" guitar with the Graphtech Ghost saddles.Woof!
Since @LSchefman os liking my post from almost ten years ago, I should clarify and say that I do not put them on every guitar anymore.
Especially with a Mark V... I could never dial in enough open top end on the V, without it getting ice picky. Messed with the presence, treble and GEQ for 3 years and it was always either/or. Either not enough top end, or enough top end but ice pick. Just could never get it dialed to what I wanted. As I've said before. I could get TONS of really good tones, but every time I'd get close to a great one, I just couldn't seem to tweak it over the edge. And then the "really good one" would sound average the next day and I'd start all over.I still have three PRS with those saddles.
They’re on my more “metal” guitars, and the cut some of the “zing” off the top end which I found less desirable with high gain.
once i was stuck in olympia wa and had tom kha five days straight.
i guess it wasn't that bad. obviously only the one good restaurant.Stuck? She-it mang… that sounds like heaven.
once i was stuck in olympia wa and had tom kha five days straight.
true gristle.I tore my kha about 20 years ago, but thanks to extensive physical therapy, I'm pretty much moving normally again.
I’m not playing as much heavy stuff, and not gigging as much either.Why? I'd be interested to hear your thoughts now vs. then. I had tinkered with the idea of making the Mira into an "A/E" guitar with the Graphtech Ghost saddles.
Especially with a Mark V... I could never dial in enough open top end on the V, without it getting ice picky. Messed with the presence, treble and GEQ for 3 years and it was always either/or. Either not enough top end, or enough top end but ice pick. Just could never get it dialed to what I wanted. As I've said before. I could get TONS of really good tones, but every time I'd get close to a great one, I just couldn't seem to tweak it over the edge. And then the "really good one" would sound average the next day and I'd start all over.