Another obvious tip after 50 years at guitar ... RECORD your practice ! With cell phones this REALLY makes a post practice critique easy, you can check the music AND your technique ( as well as stage presence stuff) .
"See, Laz, apparently Doug argues with himself just like we do."It's like arguing with myself!
"See, Laz, apparently Doug argues with himself just like we do."
"Not exactly like we do, since he isn't crazy enough to argue with himself on a public forum."
"Sure, but we do it to entertain others."
"Says who?"
I have been playing for over 40+ years, and I still suck. any talent I have on it has come very hard. to be honest I have far more natural talent on the drums. If i put as much time into the drums as I have the guitar, I could have been a very good musician. But, I love the guitar. I love to look at it, I love to hold it, I love to play it. I love everything about it. It fights me tooth and nail, but I will NEVER stop playing it until my arthritic hand makes me. (then, I’ll play drums full time-lol) I picked up the guitar for something to bring me joy, and personal happiness, and overall, it still does, even in my limited ability with it.
I kind of think both theories are ok. Maybe it depends where you are on the journey.I have two theories about practicing. The two theories are 100% inconsistent. One's probably wrong. Here they are:
Theory A
"Playing and practicing accomplish the same thing except one's boring and the other isn't! Play songs, write music, see what happens. Do it often enough and you'll be fine."
OR...
Theory B
"No, they're not the same thing, you lazy, ignorant slattern. Remember how you were trained on classical piano? You did the Czerny exercises ad infinitum.
You did scales in various keys on both left hand and right hand with a metronome to play the scales in time, and gradually increased the speed. That was mind-numbing, it took forever.
Then you worked on the repertoire you could handle - which wasn't much. Slowly the pages turned, bit by bit, page by page, measure by measure, until you wanted to go mad and take a flying leap into Niagara Falls.
But you f'ing learned to play piano. You can't even play 'Happy Birthday' on guitar."
"But I can play Sunshine of Your Love and Here Comes the Sun, including the cool parts."
"Yeah, maybe you should learn some new songs, since you've been doing those for what, 50-something years."
"What about my writing?"
"Writing!?! [snicker] You call that drivel writing? Go practice."
Of course, or I wouldn’t still be playing.Only one question is important-do you have fun when you play guitar?
Of course, or I wouldn’t still be playing.
It’s all that ever really mattered in the first place. lolAnd that's all that really matters.
I don't have fun playing music, at least insofar as I remember what fun is.Only one question is important-do you have fun when you play guitar?
I don't have fun playing music, at least insofar as I remember what fun is.
But it's something I'm deeply interested in, so it's satisfying when I play well or create a piece of music I can tolerate.
True!Fun:
A source of enjoyment, amusement, or pleasure.
Part of my issue is that my "heroes" are basically "unobtanium" ... My ideal playing level would be that of Trey Anastasio, SRV and Carlos Santana all rolled up into a neat, tight little package of playing. And Trey alone is so "Schooled theory" based that the level of study, just to get close to the feel of what he would do over a certain change is just mind numbing. I hear people trying to break it down, and even listen to him talking about how he practices and studies, and I am like "G*D D*MN IT....if I were to practice like THAT, I may could have done it after about 15 or 20 years of study". But to me, that level of discipline is just unheard of. But then again, this isn't a "hobby" or a "fun little escapeHere's my only take on this, cause I've never taken lessons, never really "practiced" seriously, and have never felt that I was a great player. I never even thought I was any good until people gave me compliments. But the only thing that got me to at least that level was having a guitar hero.
In the early days it was Santana & EVH, later on it was Pat Metheny, George Benson & Wes, and I didn't practice scales or theory, I just played their songs.
It's mentioned here in this thread that goals are a big factor in making progress, I just wanted to do what they did. I thought in my mind how cool it would be to be able to play Europa like Carlos or Panama by EVH, then later I just wanted to be able to play over Jazz changes. In doing so was the only way I got ahead.
In your group it seems you play original tunes and that can be an obstacle, unless you have a very imaginative mind and visualize your parts in these songs more complex and challenging as you go along on your musical path. Even if you do covers and do them differently than the original, it takes discipline to force yourself to reinvent the parts and do them with some artistry.
So it goes back to one of the questions you asked yourself when you first picked up the guitar, what or who do you want to sound like? Maybe if you ask yourself this and find a couple artists that can be goals for you, then you can use that and raise the bar for yourself. Just choose something that you're passionate enough about that you'll stick to it.
Best of luck in this musical journey.
Would like to suggest a log book for charting progress. A simple notebook will work as well. A notebook with spaces for log entry, descriptive adjectives about how you felt, time and date entries for mapping progress. That, and learn the various forms of triads and their inversions the length of the neck. Not only will you receive an education in chord structure, you'll learn where every note is located on the fretboard.True!
But it's definitely not a source of enjoyment or amusement. If satisfaction = pleasure, then count me in. I think it can be interpreted that way.