Good day to you all,
I finally got to play, in our local Guitar Center, a couple of different PRS guitars this past weekend. I have a ps on order, but never played any PRS before. (yeah, I know, it's f%^&ed up for sure)
The guitar I played was a 2008 SC 245 with a satin rosewood neck, and board, mahogany body, and quilt top with a trem. It was very heavy, and I was not inspired by it at all. Too much treble accent and bottom for my tastes. I prefer a more balanced tone overall.
I also played a satin S2 and liked it better for the tone and feeling of the pattern neck and full fret board access.
Then I was lucky to find a $329 Music Man Eddie-styled guitar with an asymmetrical neck. Amazingly enough, I liked the feel and the way the neck allowed easier access to the higher strings. When I went back to a regular carved neck, it felt like the bottom part of the neck, where the high strings are, was kind of getting in my way on the palm of my hand.
The salesman told me more companies are offering asymmetrical neck shapes. I was told Fender is offering one on a tele.
This asymmetrical neck shape was what was preventing me from making up my mind on whether or not to order a 594 or a regular McCarty.
Currently, all of my guitars are 25 1/2" scale and all have only one volume control, one tone, and a blend dial for pickup combinations. I felt that the 594 would offer me the most variation from these guitars over the McCarty. It was a tough decision for me, as I liked the McCarty, but decided that the versatility of the 594 in the end, would be the better choice. I used to play LP's for many years, but don't have a Gibson now, and since the 594 is PRS's version of a late 50's burst, I believe it is the right choice.
I finally got to play, in our local Guitar Center, a couple of different PRS guitars this past weekend. I have a ps on order, but never played any PRS before. (yeah, I know, it's f%^&ed up for sure)
The guitar I played was a 2008 SC 245 with a satin rosewood neck, and board, mahogany body, and quilt top with a trem. It was very heavy, and I was not inspired by it at all. Too much treble accent and bottom for my tastes. I prefer a more balanced tone overall.
I also played a satin S2 and liked it better for the tone and feeling of the pattern neck and full fret board access.
Then I was lucky to find a $329 Music Man Eddie-styled guitar with an asymmetrical neck. Amazingly enough, I liked the feel and the way the neck allowed easier access to the higher strings. When I went back to a regular carved neck, it felt like the bottom part of the neck, where the high strings are, was kind of getting in my way on the palm of my hand.
The salesman told me more companies are offering asymmetrical neck shapes. I was told Fender is offering one on a tele.
This asymmetrical neck shape was what was preventing me from making up my mind on whether or not to order a 594 or a regular McCarty.
Currently, all of my guitars are 25 1/2" scale and all have only one volume control, one tone, and a blend dial for pickup combinations. I felt that the 594 would offer me the most variation from these guitars over the McCarty. It was a tough decision for me, as I liked the McCarty, but decided that the versatility of the 594 in the end, would be the better choice. I used to play LP's for many years, but don't have a Gibson now, and since the 594 is PRS's version of a late 50's burst, I believe it is the right choice.