Simon Says
52% lizard
Yeah, I see them as a perfect medium between vintage enough and modern. The signal sits just in the middle. The bridge pickup has that fast lows response I value in modern constructed pickups, very even tonally without favouring any specific frequencies, still harmonically solid and hearable. The neck in HB mode is a bit gummy. When Paul calls the neck pickup Bass, he means it. I like neck pickups brighter and more articulated, and this magic happens when it's in split. I don't see the split neck as a single-coil. I see it as a flavour of an HB, precisely the qualities I like in the neck pickups. Most of the time, when I play clean, I have it in a split. When I kick in gain and octafuzz; it's HB.The 85/15s in my CU24 sound great, too. They work really well with the instrument's other qualities. They're also vintage-y enough for my taste, but not so vintage that the thinner body on the CU24 works against it.
They strike a perfect balance in that guitar.
Terrific pickups, if you ask me.
So not perfect, but the nearest to perfect I ever had.