Johan Allard
New Member
- Joined
- Sep 25, 2015
- Messages
- 154
One thing I’ve been experimenting a bit with recently is adding a high-pass filter (to remove bass, especially for the neck pickup). This is done by adding a cap in series with the signal. I originally found this on my 2012 Signature Limited which has a 0.022 uf high-pass filter (https://www.prsguitars.com/csc/schematics/2012/signature_2012.pdf) connected to the 3 way selector for both pickups. I’ve always struggled a bit with my P245 Semi-Hollow being a bit woofy on the neck. I love the roundness of the neck pickup sound but it was just too dark. By adding a 0.0022 uf cap (yes, another 0) on the 3 way selector for the neck pickup position only (remove the neck pickup hot wire from the 3 way selector, solder one end of the cap on the 3 way selector and the other end on the hot neck pickup wire) I’m liking it a lot better. The roundness is still there but the overwhelming bottom end is gone.
With high pass filters like that, the lower the cap value, the more bass you’re going to remove. The 0.022 uf cap in my Siggy Ltd that’s used for both pickups just removes a small amount of bass. If you want to make it more noticeable, go with 0.01 uf down to 0.0047 or even 0.0022 uf for even more bass removal. I’m going to experiment a bit more in my other guitars.
To me, this is a way of balancing the guitar between the bridge and neck pickup. I find a lot of neck pickups to be overly dark and don’t tend to use them as much for that reason. On Les Paul’s and my 594s I’ve always run the neck tone on 10 and the bridge tone rolled off to balance the pickups, usually between 5 and 7. But with this recent finding I’m thinking that a better way may be to remove bass from the neck pickup to get the guitar more evenly balanced between the bridge and the neck.
Obviously EQ pedals and other things discussed in this thread are great tools to balance the overall sound of the guitar but if you’re not scared of a soldering iron the high pass bass removal trick could well be worthwhile to try out.
With high pass filters like that, the lower the cap value, the more bass you’re going to remove. The 0.022 uf cap in my Siggy Ltd that’s used for both pickups just removes a small amount of bass. If you want to make it more noticeable, go with 0.01 uf down to 0.0047 or even 0.0022 uf for even more bass removal. I’m going to experiment a bit more in my other guitars.
To me, this is a way of balancing the guitar between the bridge and neck pickup. I find a lot of neck pickups to be overly dark and don’t tend to use them as much for that reason. On Les Paul’s and my 594s I’ve always run the neck tone on 10 and the bridge tone rolled off to balance the pickups, usually between 5 and 7. But with this recent finding I’m thinking that a better way may be to remove bass from the neck pickup to get the guitar more evenly balanced between the bridge and the neck.
Obviously EQ pedals and other things discussed in this thread are great tools to balance the overall sound of the guitar but if you’re not scared of a soldering iron the high pass bass removal trick could well be worthwhile to try out.